The (Mis)education of Black and Native Children and the Construction of American Racism
by Eve L. Ewing
Why don't our schools work? Eve L. Ewing tackles this question from a new angle: What if they're actually doing what they were built to do? She argues that instead of being the great equalizer, America's classrooms were designed to do the opposite: to maintain the nation's inequalities. It's a task at which they excel.
If all children could just get an education, the logic goes, they would have the same opportunities later in life. But this historical tour de force makes it clear that the opposite is true: The U.S. school system has played an instrumental role in creating and upholding racial hierarchies, preparing children to expect unequal treatment throughout their lives.
In Original Sins, Ewing demonstrates that our schools were designed to propagate the idea of white intellectual superiority, to "civilize" Native students and to prepare Black students for menial labor. Education was not an afterthought for the Founding Fathers; it was envisioned by Thomas Jefferson as an institution that would fortify the country's racial hierarchy. Ewing argues that these dynamics persist in a curriculum that continues to minimize the horrors of American history. The most insidious aspects of this system fall below the radar in the forms of standardized testing, academic tracking, disciplinary policies, and uneven access to resources.
By demonstrating that it's in the DNA of American schools to serve as an effective and underacknowledged mechanism maintaining inequality in this country today, Ewing makes the case that we need a profound reevaluation of what schools are supposed to do, and for whom. This book will change the way people understand the place we send our children for eight hours a day.
"A troubling and eye-opening examination of the foundational role educators played in developing America's racial hierarchy." —Publishers Weekly (starred review)
"Poet, sociologist, and cultural organizer Ewing again turns her incisive, scholarly eye to education, racism, and American society. A brightly intelligent, uncompromising, timely, and deeply clarifying investigation." —Booklist (starred review)
"Ewing's profound work is a must read for politicians, school board members, education administrators, and teachers. It would also be an excellent addition to professional development and teacher education programs." —Library Journal (starred review)
"Why is the American school system neglecting so many of its students? In this damning investigation, the award-winning author and activist posits that it may be because schools were designed to do just that...Though the argument of this book is bleak, it illuminates a path for a more just future that is nothing short of dazzling." —Oprah Daily, "The 25 Most Anticipated Books of 2025"
"Eve L. Ewing is not only a remarkable writer, she is also a singular educator. In Original Sins, she makes clear how our country's schools have intentionally configured the contemporary landscape of inequality. Exhaustively researched and exquisitely written, Original Sins is breathtaking." —Clint Smith, author of How the Word Is Passed
"Original Sins will transform the way you see this country. With a clear, unflinching voice, Ewing challenges us to ask new questions about our own educational experience and our children's, starting with the pledge of allegiance first thing in the morning." —Michelle Alexander, author of The New Jim Crow
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Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Eve L. Ewing is a writer, scholar, and cultural organizer from Chicago. She is the award-winning author of four books: Electric Arches, 1919, Ghosts in the Schoolyard, and Maya and the Robot. She is the co-author (with Nate Marshall) of the play No Blue Memories: The Life of Gwendolyn Brooks and has written several projects for Marvel Comics. Ewing is an associate professor in the Department of Race, Diaspora, and Indigeneity at the University of Chicago. Her work has been published in The New Yorker, The Atlantic, the New York Times, and many other venues.
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