A Novel
by Jonathan Carroll
Welcome to the luminous and marvelously inventive world of The Ghost in Love. A man falls in the snow, hits his head on a curb, and dies. But something strange occurs: the man doesnt die, and the ghost thats been sent to take his soul to the afterlife is flabbergasted. Going immediately to its boss, the ghost asks, what should I do now? The boss says, we dont know how this happened but were working on it. We want you to stay with this man to help us figure out whats going on.
The ghost agrees unhappily; it is a ghost, not a nursemaid. But a funny thing happensthe ghost falls madly in love with the mans girlfriend, and things naturally get complicated. Soon afterward, the man discovers he did not die when he was supposed to because for the first time in their history, human beings have decided to take their fates back from the gods. Its a wonderful change, but one that comes at a price.
The Ghost in Love is about what happens to us when we discover that we have become the masters of our own fate. No excuses, no outside forces or gods to blamethe responsibility is all our own. Its also about love, ghosts that happen to be gourmet cooks, talking dogs, and picnicking in the rain with yourself at twenty different ages.
"Carroll fans will best appreciate this jeu d'esprit. - Publishers Weekly.
"A strain of syrupy romance undermines the novelist's surrealistic strengths. " - Kirkus Reviews.
"Starred Review. Love, memory, and balancing the needs of our many selves are themes in this occasionally scary, often luminous work of unconventional fantasy. Strongly recommended for all fiction collections." - Library Journal.
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Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Jonathan Carroll's novel The Wooden Sea was named a New York Times Notable Book of 2001. He is the author of such acclaimed novels as White Apples, The Land of Laughs, The Marriage of Sticks, and Bones of the Moon. He lives in Vienna, Austria.
Idealism increases in direct proportion to one's distance from the problem.
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