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Literary suspense. For more than one hundred years, creative souls have traveled to Upstate New York to work under the captivating spell of the Bosco estate. Ellis Brooks, a first-time novelist, has come to Bosco to write a book based on Aurora and the infamous summer of 1893, when wealthy, powerful Milo Latham brought the notorious medium Corinth Blackwell to the estate to help his wife contact three of the couple's children, lost the winter before in a diphtheria epidemic. But when a séance turned deadly, Corinth and her alleged accomplice, Tom Quinn, disappeared, taking with them the Lathams' only surviving child.
The more time she spends at Bosco, the more Ellis becomes convinced that there is an even darker, more sinister end to the story. And she’s not alone. After a bizarre series of accidents befalls them, the group cannot deny the connections between the long ago and now, the living and the dead . . . as Ellis realizes that the tangled truth may ensnare them all in its cool embrace.
'[I]ts twists and turns mesmerize, even if they don't surprise.' - Publishers Weekly.
'Fans of Goodman's earlier books will enjoy her familiar Hudson Valley setting and metaphorical use of water. However, some may be put off by the supernatural angle.' - Library Journal.
'More of the same from Goodman: not half bad, not all that good.' - Kirkus Reviews.
This information about The Ghost Orchid was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
I started writing at age nine, when my teacher introduced the topic 'Creative Writing' and I wrote a ninety-page, crayon-illustrated collection entitled The Adventures of the Magical Herd in which a girl named Carol lives with a herd of magical horses. I knew from that moment I wanted to be a writer and that I'd always find a way to rewrite my own life.
During my teens I wrote poetry and was awarded the Young Poet of Long Island award. I took a break from writing to major in Latin at Vassar College, where I fell in love with language and the Hudson Valley, two themes that would reappear in my first published novel, the bestselling and critically acclaimed novel, The Lake of Dead Languages (Ballantine, 2001). The novel is about a Latin teacher who returns to a girls' school in the ...
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