My mother called me Silver. I was born part precious metal, part pirate.
Orphaned and anchorless, Silver is taken in by blind Mr. Pew, the mysterious and miraculously old keeper of the Cape Wrath lighthouse. Pew tells Silver ancient tales of longing and rootlessness, of journeys that move through place and time, of passion and betrayal. His stories center on Babel Dark, a local nineteenth-century clergyman who lived two lives: a public one mired in darkness and a private one bathed in a beacon of light. Pew's stories are, for Silver, a map through her own particular darkness, into her own story and, finally, into love.
With Lighthousekeeping, Winterson begins a new cycle and a return to the lyrical intimacy of her earliest work. One of the most original and extraordinary writers of her generation, Winterson has created a modern fable about the transformative power of storytelling.
"Kidd's second offering is just as gracefully written as her first and possesses an equally compelling story. It should appeal to the many readers who made her first novel a hit with book clubs." - Kirkus Reviews.
"It's hard to believe that Winterson's latest novel is even more lightweight than her previous one, The PowerBook, but here an orphan's romantic memories of growing up in a Scottish lighthouse are stretched to the limit with coy aphorisms." - Publishers Weekly.
"The telling of Dark's life is compelling, but aside from the often soul-catching use of language, the narrative slips from time to time into long blocks of rhythmic musings and abstract meanderings ...." - Library Journal.
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Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Born in Manchester, England, Jeanette Winterson is the author of more than twenty books, including the national bestseller Why Be Happy When You Could Be Normal?, Oranges Are Not the Only Fruit, and The Passion. She has won many prizes including the Whitbread Award for Best First Novel, the John Llewellyn Rhys Prize, the E. M. Forster Award, and the Stonewall Award.
Censorship, like charity, should begin at home: but unlike charity, it should end there.
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