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In Cocktail Hour Under the Tree of Forgetfulness Alexandra Fuller braids a multilayered narrative around the perfectly lit, Happy Valley-era Africa of her mother's childhood; the boiled cabbage grimness of her father's English childhood; and the darker, civil war- torn Africa of her own childhood. At its heart, this is the story of Fuller's mother, Nicola. Born on the Scottish Isle of Skye and raised in Kenya, Nicola holds dear the kinds of values most likely to get you hurt or killed in Africa: loyalty to blood, passion for land, and a holy belief in the restorative power of all animals. Fuller interviewed her mother at length and has captured her inimitable voice with remarkable precision. Cocktail Hour Under the Tree of Forgetfulness is as funny, terrifying, exotic, and unselfconscious as Nicola herself.
We see Nicola and Tim Fuller in their lavender-colored honeymoon period, when east Africa lies before them with all the promise of its liquid equatorial light, even as the British empire in which they both believe wanes. But in short order, an accumulation of mishaps and tragedies bump up against history until the couple finds themselves in a world they hardly recognize. We follow the Fullers as they hopscotch the continent, running from war and unspeakable heartbreak, from Kenya to Rhodesia to Zambia, even returning to England briefly. But just when it seems that Nicola has been broken entirely by Africa, it is the African earth itself that revives her.
A story of survival and madness, love and war, loyalty and forgiveness, Cocktail Hour Under the Tree of Forgetfulness is an intimate exploration of the author's family. In the end we find Nicola and Tim at a coffee table under their Tree of Forgetfulness on the banana and fish farm where they plan to spend their final days. In local custom, the Tree of Forgetfulness is where villagers meet to resolve disputes and it is here that the Fullers at last find an African kind of peace. Following the ghosts and dreams of memory, Cocktail Hour Under the Tree of Forgetfulness is Alexandra Fuller at her very best.
"Gracefully recounted using family recollections and photos, the author plumbs the narrative with a humane and clear-eyed gaze—a lush story, largely lived within a remarkable place and time." - Kirkus Reviews
"Starred Review. Fuller achieves another beautifully wrought memoir." - Publishers Weekly
"Fuller’s prose is so beautiful and so evocative that readers will feel that they, too, are sitting under [the Tree of Forgetfulness]. A gorgeous tribute to both her parents and the land they love." - Booklist
"Starred Review. Unsparing, well written, and spiced with many compelling anecdotes, this vivid tale of a one-of-a-kind matriarch and her family's fortitude through adversity and absurdity will be relished by memoir fans and recreational readers interested in Africa." - Library Journal
This information about Cocktail Hour Under the Tree of Forgetfulness was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Alexandra Fuller is the author of four memoirs, including Don't Lets Go To The Dogs Tonight – a New York Times Notable Book for 2002, the 2002 Booksense Best Non-fiction book, a finalist for the Guardian's First Book Award and the winner of the 2002 Winifred Holtby Memorial Prize – and the New York Times-bestselling Cocktail Hour Under the Tree of Forgetfulness, two books of non-fiction, and the novel Quiet Until The Thaw. Her writing has appeared in The New Yorker, National Geographic, Granta, The New York Times, The Guardian and The Financial Times.
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