We are our stories. We tell them to stay alive or keep alive those who only live now in the telling. That's how it seems to me, being alive for a little while, the teller and the told.
So says Ruthie Swain. The bedridden daughter of a dead poet, home from college after a collapse (Something Amiss, the doctors say), she is trying to find her father through stories - and through generations of family history in County Clare (the Swains have the written stories, from salmon-fishing journals to poems, and the maternal MacCarrolls have the oral) and through her own writing (with its Superabundance of Style). Ruthie turns also to the books her father left behind, his library transposed to her bedroom and stacked on the floor, which she pledges to work her way through while she's still living.
In her attic room, with the rain rushing down the windows, Ruthie writes Ireland, with its weather, its rivers, its lilts, and its lows. The stories she uncovers and recounts bring back to life multiple generations buried in this soil - and they might just bring her back into the world again, too.
"Starred Review. You can smell the peat burning and feel the ever-present mist in acclaimed Irish novelist Williams' luscious paean to all who lose themselves in books. Williams captures the awe and all of Ireland - its myths and mysteries, miseries and magic - through the pitch-perfect voice of a saucily defiant young woman who has witnessed too much tragedy but who clings devotedly to those she's lost." - Booklist
"Starred Review. Destined to be a classic, Williams's seventh novel (after Boy and Man) isn't just the elegy Ruthie offers to the departed but also a love letter to reading and its life-giving powers. The author's voice and narrative remain utterly unique even as she invites comparisons to Jim Hawkins, Ishmael, and hosts of legendary literary narrators." - Library Journal
"[T]though the novel doesn't have a strong resolution, Williams makes so many good stylistic and storytelling choices that his latest is well worth the read." - Publishers Weekly
This information about History of the Rain was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Niall Williams was born in Dublin in 1958. He studied English and French literature at University College Dublin before graduating with a Master's degree in Modern American Literature. He moved to New York in 1980 where he married Christine Breen, whom he had met while she was a Master's student also at UCD, and took his first job opening boxes of books in Fox and Sutherland's bookshop in Mount Kisco. He later worked as a copywriter for Avon Books in New York City before leaving America with Chris in 1985 to attempt to make a life as a writer.
Niall and Christine moved on April 1st to the cottage in west Clare that Chris's grandfather had left eighty years before to find his life in America. In 1991 Niall's first play 'The Murphy Initiative' was staged at The Abbey Theatre in Dublin. ...
To make a library it takes two volumes and a fire. Two volumes and a fire, and interest. The interest alone will ...
Click Here to find out who said this, as well as discovering other famous literary quotes!
Your guide toexceptional books
BookBrowse seeks out and recommends the best in contemporary fiction and nonfiction—books that not only engage and entertain but also deepen our understanding of ourselves and the world around us.