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Who will save us from the lobsters from outer space?
It is New York City, 1953. Young pulp-fiction writer Kurt Jastrow's world is thrown into disarray when two extraterrestrial lobster-like creatures arrive at the NBC studios. Though rabid fans of Kurt's "scientific" alter-ego, loveable scientist Uncle Wonder, they also judge that the audience of a religious TV program is "a hive of irrationalist vermin." To Jastrow's horror, the crustaceans scheme to vaporize two million viewers when the next show goes on the air.
Now Jastrow and his co-conspirators have a mere forty hours to produce a script so explicitly rational and yet utterly absurd that it will somehow deter the aliens from their diabolical scheme...
"Starred Review. Jonathan Swift meets Buck Rogers in this hilarious send-up of the golden ages of television and pulp sci-fi... [A] delightful romp from Morrow" - Publishers Weekly
"The Madonna and the Starship will have you laughing out loud while you think about what it means to be human." - Looking For A Good Book
"Galaxy Quest, eat your heart out." - Bookish
This information about The Madonna and the Starship was first featured
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Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
David Tait
Born in Philadelphia in 1947, James Morrow spent his teenage years in Hillside Cemetery, not far from Philadelphia. After receiving degrees from the University of Pennsylvania and Harvard University, Morrow began to produce prose fiction. His first such endeavor, The Wine of Violence, was called “the best SF novel published in English in the last ten years” by the American Book Review. He followed this with The Continent of Lies. Morrow's breakout novel was a satire on the nuclear arms race, This Is the Way the World Ends, which became a Nebula Award nominee and the BBC’s choice as the best SF novel of the year. His next dark comedy, Only Begotten Daughter, shared the 1991 World Fantasy Award with Ellen Kushner’s Thomas the Rhymer. Throughout the 1990s Morrow worked on ...
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Poetry is like fish: if it's fresh, it's good; if it's stale, it's bad; and if you're not certain, try it on the ...
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