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Francine Mathews has worked as a journalist and as an intelligence analyst for the CIA. Under the name Stephanie Barron, she is the author of the bestselling Jane Austen nine-book mystery series, including Jane and the Unpleasantness at Scargrave Manor and Jane and the Man of the Cloth. She also has written acclaimed standalone novels, including the thriller The Alibi Club, which was selected as one of Publisher Weekly's best novels of the year, A Flaw in the Blood, Jack 1939 and more than twenty other novels of mystery, history, and suspense. A graduate of Princeton and Stanford, she presently lives and works in Colorado.
Francine Mathews's website
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I shouldn't blame Ian Fleming for my years in the CIAprobably John le Carré is responsible for thosebut it's true that Fleming's character, James Bond, casts a long shadow over every woman who wants to be a spy. Bond Girls are so glamorous, and they die so horribly, tripping on their high heels with a gasp of "James!" as a sniper fires. My own training was more practical: dead drops, agent handling, escape and evasion, explosivesbut I was allowed to carry a lipstick that perfectly matched my field camouflage.
I remembered all that as I invented the character of Siranoush in Too Bad to Die: a Bond Girl with a vengeance, running circles around Ian Fleming. I love to write fiction based on the secret battles of World War II, and Fleming is behind any number of them. I ran into Fleming so often, in fact, that I began to wonder how much of his story was truth, and how much fiction.
I learned that the man friends referred to jokingly as a "chocolate sailor," because he looked too good to be true in his reserve naval uniform, found a home and a calling amid the white lies of war. Fleming had grown up in the embrace of the British aristocracy: educated at Eton and Sandhurst, the scion of a ...
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