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He adjusts the sadiev slightly on his chest. He often dreams of her. Not his daughter. But the little girl to whom this lute rightly belongs. Except she's no longer a little girl, the three-year-old he once met... He wonders about the person she's become, the woman she's grown into. He dares not confuse one with the other, the young daughter he lost long ago and the woman he now waits to meet. They're not the same person, he reminds himself. They are not. And you, you are not him. Can never be him. The father she lost.
Sometimes, though, his memory rebels. It contrives a game, tricking him into believing that the past can be altered, that he can make up for the missing years, give her back what he stole from her. He can amendatone. But for what exactly? A betrayal of oneself, one's conscience? Was that what he'd hoped when he decided to write to her? To seek forgiveness for his crimes? Or was it simply, as he said, that he wished to return the musical instruments her father had left for her?
He thinks again of the letter, not what it said, but what it was on the verge of saying, what it almost revealed. I knew your father. He and I were... His failing eyesight had required him to enlist the help of the young doctor to write those words. He told Dr. Narunn to cross out the incomplete sentence. When he'd finished dictating the rest of the letter, the doctor wanted to copy it onto fresh, clean paper, without the crossed-out words. The Old Musician would not allow it. He'd send it as it was, with the mistake, as if he wanted her to see the duplicity of his mind, the treachery of his thoughts. He and I were... What they weremen, animals, two sides of a single realitywas destroyed with one deliberate stroke, the laceration made by a moving blade.
He glides the fingers of his left hand closer to the gourd sound box, producing a periodic overtone, like an echo or a ripple in the pond. I thought I was alone. I walked the universe, looking for your footsteps. I heard my heart echo... and felt you knocking on the edge of my dream.
The quality of each noteits resonance and tonevaries as he slides the half-cut gourd across his chest. He plucks faster and harder, reaching a crescendo. Then, in three distinct notes, he concludes the song.
From MUSIC OF THE GHOSTS by Vaddey Ratner. Copyright c 2017 by Vaddey Ratner. Reprinted by permission of Touchstone, an Imprint of Simon & Schuster, Inc.
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