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Book Reviewed by:This "novel of extraordinary humanity" (Madeleine Thien, author of Do Not Say We Have Nothing) from New York Times bestselling author Vaddey Ratner reveals "the endless ways that families can be forged and broken hearts held" (Chicago Tribune) as a young woman begins an odyssey to discover the truth about her missing father.
Leaving the safety of America, Teera returns to Cambodia for the first time since her harrowing escape as a child refugee. She carries a letter from a man who mysteriously signs himself as "the Old Musician" and claims to have known her father in the Khmer Rouge prison where he disappeared twenty-five years ago.
In Phnom Penh, Teera finds a society still in turmoil, where perpetrators and survivors of unfathomable violence live side by side, striving to mend their still beloved country. She meets a young doctor who begins to open her heart, confronts her long-buried memories, and prepares to learn her father's fate.
Meanwhile, the Old Musician, who earns his modest keep playing ceremonial music at a temple, awaits Teera's visit. He will have to confess the bonds he shared with her parents, the passion with which they all embraced the Khmer Rouge's illusory promise of a democratic society, and the truth about her father's end.
A love story for things lost and restored, a lyrical hymn to the power of forgiveness, Music of the Ghosts is a "sensitive portrait of the inheritance of survival" (USA Today) and a journey through the embattled geography of the heart where love can be reborn.
Throughout Music of the Ghosts, Ratner is thematically focused on the healing from "the killing fields"—for individuals, the country, and the culture. This recovery requires a balance of punishment and forgiveness. Certainly there are individuals who are guilty and need to be brought to justice. But how many others lie somewhere between guilt and innocence? As the two voices weave in and out of each other's past and present, Music of the Ghosts gives a nuanced and intimate view of Cambodia and its history. We see the strands of choice and circumstance laid bare and can only marvel at the resilience of the Khmer people...continued
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(Reviewed by Chris Fredrick).
Traditional Cambodian music plays a key role in Music of the Ghosts. Hearing it triggers memories for both of the story's main characters, and three hand-made instruments—a single-stringed lute, an oboe, and a drum—set the plot in motion.
Music and Buddhism have a strong connection; music is sometimes seen as a ceremonial offering to the Buddha. An estimated 95% of Cambodians are Buddhist today, and the roots of Buddhism date back to the 5th century. Over that long history, Buddhist songs have been adapted for use in ceremonies such as weddings and funerals, playing an integral role in common cultural practices.
The lyrics of traditional musical pieces often have a moral or religious theme. The smoat (also smaut or smot) ...
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by Viet Thanh Nguyen
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Viet Thanh Nguyen's The Sympathizer was one of the most widely and highly praised novels of 2015. Nguyen's next fiction book, The Refugees, is a collection of perfectly formed stories written over a period of twenty years, exploring questions of immigration, identity, love, and family.
Kevin Powers, author of The Yellow Birds
A book like this doesn't come around very often. I hope everyone will read it.
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