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In the Garden of Monsters by Crystal King

In the Garden of Monsters

A Novel

by Crystal King

  • Critics' Consensus (6):
  • Readers' Rating (21):
  • Published:
  • Sep 2024, 336 pages
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There are currently 21 reader reviews for In the Garden of Monsters
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Melissa U. (Jackson, NJ)

Gothic and beautiful
This is a beatifully written retelling of the myth of Hades and Persephone. Both gothic and a bit psychedlic. What a wild ride ... I loved it!
Cindy R. (North Miami Beach, FL)

MYTH and FANTASY
I was not familiar with the myth of Hades and Persephone or the real life story of Monster in the garden, but I found myself absorbed reading IN THE GARDEN OF MONSTERS (MIRA). I've read Crystal King's prior books and I've always learned something. King has a passion for art, food and history, as do I, so I was excited to dive into her new book.

It's post WWII, Italy where Julia, a woman well-educated in history and art, but with no memory of her past is invited to be Salvador Dali's muse, Persephone, one of the creatures in the stone garden. Dali's behavior intensifies, on the verge of obsession as shadows frommore
John A. (Ashland, OR)

Surrealistic
The author was inspired by Salvador Dalí's visit to the Sacro Bosco in Italy in 1948. She employs a historical fiction account of Dali's renting the estate containing this garden as the setting for his project of painting a series of surrealistic works that feature the statues of the Sacro Bosco and the protagonist Julia (his model and also artist who can't remember most of her past). In addition to Dalí and Julia, the cast of characters include a handsome, other worldly owner host of the estate, Dalí's unforgettable wife Gala and several other interesting characters. It is a surrealistic, gothic mystery foundedmore
Agnes G. (Southern Pines, NC)

Monster Mash
What a great balance between mythology and reality. Every couple of chapters we are reminded that Julia Lombardy cannot remember her past. But it is subtle and unobtrusive and we are drawn back into a story that needs to be devoured. As the characters dance around each other and the garden both fascinates and scares us, we hurry to get to the conclusion. I will remember this book for a long time and recommend it to friends and my two book clubs.

Notes to publisher:
1) I noticed that the Amazon summary and the back of the book refers to Persephone while throughout the book and on her blog the author calls hermore
Bill B. (Choctaw, OK)

A Gothic Fairytale
I enjoyed the novel immensely. I read fantasy to interact with my high school students and even assigned this book as a classroom discussion project. The good students were enamored with Julia, Dali, and the garden. The kids liked the mythic queen of the underworld concept. Bravo, Ms. King.
Cheryl R. (Jeannette, PA)

Living Poetry
In "In the Garden of Monsters", Crystal King paints word pictures that flow like poetry. The details of the meals and garden are extraordinary. I kept waiting for the next pomegranate seed to be unveiled or for a new persona for a character to be revealed. The ending gave me the feeling that things ended as they were meant to end. Love and friendship win.
Karen G. (Norfolk, MA)

Mythology brought to life
I have really enjoyed Greek Mythology since I could read as a child. So I am familiar with most of the stories. I loved how the author pulled several of them together and into the present. King's research info at the end showed how thorough she is in her writing. I am also a big fan of Dali since my Junior High School days when I did more than one report on him. What a brilliant move to bring these characters together and so true to the historical documentation. I had to keep myself from reading In The Garden of Monsters too fast so that I wouldn't miss a single wonderful detail.
Linda K. (Sunset, SC)

In the Garden of the Monsters
I found this book to be a bizarre and confusing story centered on Greek mythology and Salvadore Dali's obsession with the Sacro Bocco. A beautiful model and art student, Julia Lombardi was tired to be Dali's muse for a collection of paintings about this garden. The tale begins confusingly slow, but finally progresses when Julia's friend, Lillian, arrives but not welcomed by the Dali's.

Crystal King's culinary background made the description of the seemingly endless feasts always mysteiously including pomegranates...
Julia's fear of the pomegranates seeds and impending doom. Her wild imagining of Ignazio makes hermore
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