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With the breakneck pace and dizzying action of a thriller and the timelessness and romance of an Arthurian legend, The Jester is a pulse-pounding and enchanting novel.
Every thousand years or so, a great adventure comes along....
Hugh De Luc, a poor innkeeper, returns home from the Crusade wearied from battle and disillusioned by carnage. After journeying from the Holy Land back to his own small village, he finds his nightmare is just beginning.
In his absence, Hugh's son has been killed and his beloved wife, Sophie, abducted by a ruthless duke in search of a priceless relic dating back to the Crucifixion. Taking on the role of a jester, Hugh infiltrates the court where he believes Sophie is held captive. There he confronts men more evil than he ever imagined and embarks on an epic battle to restore his broken life.
With the breakneck pace and dizzying action of a thriller and the timelessness and romance of an Arthurian legend, The Jester is a pulse-pounding and enchanting novel. This classic tale of good against evil and the search for love is the grandest story yet from the writer the San Francisco Chronicle calls "the page-turningest author in the game right now."
Prologue
WEARING A BROWN TWEED SUIT and his customary dark tortoiseshell sunglasses, Dr. Alberto Mazzini pushed through the crowd of loud and agitated reporters blocking the steps of the Musée d'Histoire in Boréée.
"Can you tell us about the artifact? Is it real? Is that why you're here?" a woman pressed, shoving a microphone marked CNN in his face. "Have tests been performed on the DNA?"
Dr. Mazzini was already annoyed. How had the press jackals been alerted? Nothing had even been confirmed about the find. He waved off the reporters and camera operators. "This way, Docteur," one of the museum aides instructed. "Please, come inside."
A tiny dark-haired woman in a black pantsuit was waiting for Mazzini inside. She looked to be in her mid-forties and appeared to almost curtsy in the presence of this prestigious guest.
"Thank you for coming. I am Renée Lacaze, the director of the museum. I tried to control the press, but . . ." she shrugged. "They ...
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Experience is not what happens to you; it's what you do with what happens to you
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