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Frank Bascombe returns, with a new lease on life (and real estate), more acutely in thrall to life’s endless complexities than ever before. A holiday, and a novel, no reader will ever forget—at once hilarious, harrowing, surprising, and profound.
With The Sportswriter, in 1986, Richard Ford commenced a cycle of novels that ten years later—after Independence Day won both the Pulitzer Prize and the PEN/Faulkner Award—was hailed by The Times of London as “an extraordinary epic [that] is nothing less than the story of the twentieth century itself.” Now, a decade later, Frank Bascombe returns, with a new lease on life (and real estate), more acutely in thrall to life’s endless complexities than ever before.
His story resumes in the autumn of 2000, when his trade as a realtor on the Jersey Shore is thriving, permitting him to revel in the acceptance of “that long, stretching-out time when my dreams would have mystery like any ordinary person’s; when whatever I do or say, who I marry, how my kids turn out, becomes what the world—if it makes note at all—knows of me, how I’m seen, understood, even how I think of myself before whatever there is that’s wild and unassuagable rises and cheerlessly hauls me off to oblivion.” But as a Presidential election hangs in the balance, and a postnuclear-family Thanksgiving looms before him along with crises both marital and medical, Frank discovers that what he terms the Permanent Period is fraught with unforeseen perils: “All the ways that life feels like life at age fifty-five were strewn around me like poppies.”
A holiday, and a novel, no reader will ever forget—at once hilarious, harrowing, surprising, and profound. The Lay of the Land is astonishing in its own right and a magnificent expansion of one of the most celebrated chronicles of our time.
Some might ask what the attraction could be in reading about a divorced, middle-aged real-estate agent living in suburban America. The answer is, as always, that it's not what you write about but the way you write it. Ford's strength is in finding epiphanies in the ordinary events of everyday life and in the unexpected emergencies that poor old Frank must inevitably face...continued
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(Reviewed by BookBrowse Review Team).
Did you know?
In a recent interview in the
Cal Literary Review Ford was asked whether he purposefully set out to
portray suburban America in a positive light? To which he replied, "Yes.
Originally, my wife said to me, try to write about somebody who’s happy. That
was my first suggestion. After she said that, I began to think about, well,
where could I set a book about somebody who was happy? We were in New Jersey, I
was teaching at Princeton then. I thought, well, nobody writes happy things
about New Jersey. Nobody writes good things about New Jersey at all. And I
thought, well, maybe that would be the thing to do. Write a novel that is
affirming about New Jersey because, certainly it would be unusual. And frankly I...
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