Summary and Reviews of The Enchantress of Florence by Salman Rushdie

Media Reviews

Elle [A] prodigious fever dream of a book…A beguiling, incandescent tale of travel, treachery, and transformation

Bloomberg Blending ornate imagery with knowing, saber-swift wit to conjure up cunning escapes, dashing victories and legendary seductions…beyond its magical razzle-dazzle lays a work of steely contemporary relevance.

Los Angeles Times - Amy Wilentz The magical realism in "Enchantress" is all artifice and diversion. Its decorative beauty disguises truth, or avoids it, and keeps the reader pointlessly mystified. No style should be a substitute for a story. Plot is the hard work of novel-writing. Rather than dealing with difficult reality, which is the writer's perhaps unpleasant but necessary duty, Rushdie forces Qara Köz from the Mughal Empire into Florence to make a few dubious points, distracting readers from the logistical plot problems in the book's flabby middle. In magical realism as it is practiced by Rushdie, timelines are as naught. Simultaneity is all. This can make the work seem less like great literature and, at moments, more like automatic scribbling.

New York Times - David Gates The Enchantress of Florence is so pious — especially in its impiety — so pleased with itself and so besotted with the sound of its own voice that even the tritest fancies get a free pass. "But imagine, Jodha," Akbar tells his imaginary wife, "if we could awake in other men’s dreams and change them, and if we had the courage to invite them into ours. What if the whole world became a single waking dream?" Not that again — didn't Samuel Johnson squelch such Berkeleyan whimsies back in the 18th century by kicking a stone? Maybe it's just my philistine cussedness talking, but life’s just too short.

Financial Times - John Sutherland For Rushdie, the pen is a magician’s wand…If The Enchantress of Florence doesn’t win this year’s Man Booker I’ll curry my proof copy and eat it.

The Guardian (UK) This brilliant, fascinating, generous novel swarms with gorgeous young women both historical and imagined, beautiful queens and irresistible enchantresses... ...[a] sumptuous, impetuous mixture of history with fable.

The Telegraph - Stephen Abell [A] splendid farrago...An all-dancing, colourful performance leaping up from the pages.

Sunday Times - Helen Dunmore In fact, whether it is a novel at all in the usual sense of the word is doubtful. It's a haul of stories, gathered with magpie glee, arranged to glitter. Self-consciousness is one of the book's main purposes. Rushdie keeps coming back to his reflections on the nature of story itself, and the way in which a human being understands himself and his dilemma through story.

The Economist Paragraph by paragraph, this is a carefully wrought and often exquisite book, but the overall effect is as rich and stultifying as a month-long diet of foie gras.

Of course, like Bellow and Mr Roth, Mr Rushdie's mediocre writing exceeds most novelists' best. But Mr Rushdie ought to bear in mind that a novelist is at heart a storyteller, not a serial creator of self-delighting sentences.

India Today Rushdie, like an inspired fabulist, achieves the impossible by turning the tale of two cities into a narrative of perpetual reinvention. An exuberant celebration of storytelling…a story that enchants the reader and enriches the art of the novel.

Booklist Starred Review. Entertainment of the highest literary order.

Library Journal Starred Review. Rushdie's lushly evocative creation of the mysteries and intrigues of a medieval world and his enchanting and seductive stories captivate and transport us in ways reminiscent of his early novels like Midnight's Children and The Satanic Verses.

Kirkus Reviews Readers who succumb to the spell of Rushdie's convoluted, cross-continental fable may find it enchanting; those with less patience could consider it interminable.....Rapturously poetic in places, very funny in others, yet the novel ultimately challenges both patience and comprehension.

Reader Reviews

Cloggie Downunder
a very enjoyable Rushdie
The Enchantress of Florence is the 10th book by Salman Rushdie. Set amongst the extremes and excesses of Renaissance Florence and in the city of Fatehpur Sikri in Mughal India, it tells the story of a hidden Mughal princess, Princess Qara Köz, the ...   Read More Lakeqi
You have to get it
This is a book that requires first and foremost a love of and prior knowledge of world history, and particularly of Indian history. If you don't have this prior knowledge (which all truly cultured people should), its likely that you just won't get it...   Read More

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Books with similar themes

• Literary Fiction
  
• Asia
  
• Middle-East (West Asia)
  
• 17th Century or Earlier
  
• Asian Authors
  
• Magical or Supernatural