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A Novel
by Amy Mackinnon
Book Reviewed by:Clara Marsh is an undertaker who doesn’t believe in God. Suddenly, her carefully structured life shifts when she discovers a neglected girl desperate for a friend. And when Detective Sullivan starts questioning her again about a body she prepared three years ago, Clara must choose between the existence of loneliness and the perils of binding one’s life to another.
Clara Marsh is an undertaker who doesn’t believe in God. She spends her solitary life among the dead, preparing their last baths and bidding them farewell with a bouquet from her own garden. Her carefully structured life shifts when she discovers a neglected little girl, Trecie, playing in the funeral parlor, desperate for a friend.
It changes even more when Detective Mike Sullivan starts questioning her again about a body she prepared three years ago, an unidentified girl found murdered in a nearby strip of woods. Unclaimed by family, the community christened her Precious Doe. When Clara and Mike learn Trecie may be involved with the same people who killed Precious Doe, Clara must choose between the stead-fast existence of loneliness and the perils of binding one’s life to another.
CHAPTER ONE
I plunge my thumb between the folds of the incision, then hook my forefinger deep into her neck. Unlike most of the bloodlines, which offer perfunctory resistance, the carotid artery doesn’t surrender itself willingly. Tethered between the heart and head, the sinewy tube is often weighted with years of plaque, thickening its resolve to stay. More so now that rigor mortis has settled deep within the old woman.
Each time I tug on that vessel, I think of my mother. I imagine other daughters are reminded of their dead parents whenever they hear the refrain from an old song, or feel the heft of a treasured bedtime story resting on their own child’s nightstand. My trigger is the transformation of a battered corpse back to someone familiar. I was too young when she died to remember her scent, and I have no memory of her voice. But her wake - like the accident - plays in my head like a movie reel, some frames taut and crisp, others brittle, fluttery things. Though ...
Tethered is the first book in recent memory that I absolutely could not read fast enough to see how it comes out .... I still can't say whether Tethered should be categorized as a mystery or a literary novel but what I do know is that with her stupendous prose and intricate characterizations MacKinnon has penned a winner...continued
Full Review
(668 words)
(Reviewed by Donna Chavez).
Amanda Eyre Ward, author of Forgive Me
Haunting, thrilling, and beautifully drawn, Tethered is a novel full of heart. Love, and the search for love, fuels MacKinnon’s cast of characters. Settle somewhere comfortable: you’ll be reading all night. Jon Clinch, author of Finn
In Tethered, Amy MacKinnon starts with an unlikely narrator and an unlikely setting and delivers up that most unlikely (and sought-after) of results: a deeply engaging and memorable book. Brava. Kristy Kiernan, author of Catching Genius and Matters of Faith
Amy MacKinnon is a rarity among debut authors. Not only does she possess the raw talent, she already knows how to use it. Tethered is as good as it gets: a haunting plot, an exquisitely flawed heroine, and sophisticated, powerful prose that deftly explores the ties that bind us all—to each other, and to the complex worlds around us. A brilliant debut.Clara has such a detached attitude toward the more clinical aspects of her job as undertaker – removing organs, sewing the mouth shut, applying makeup – that her description of these tasks seems no different than a fishmonger discussing the gutting and filleting of salmon. And MacKinnon includes enough subtle hints as to the danger and toxicity of the chemicals used in cadaver preparation that one might pause before considering disposition of one's – or a loved one's -- earthly remains. Additionally, there is the casket to think about and the fact that there may be more bodies to bury in Clara's community cemetery than that plot of hallowed ground can hold. It all leads one to ask, is this really the best and most ...
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Murder at the 42nd Street Library opens with a murder in a second floor office of the iconic, beaux-arts flagship of the New York Public Library. Ray Ambler, the curator of the library's crime fiction collection, joins forces with NYPD homicide detective Mike Cosgrove in hopes of bringing a murderer to justice.
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Sometimes I think we're alone. Sometimes I think we're not. In either case, the thought is staggering.
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