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Book Reviewed by:Death sits in her chilly apartment, where she lives alone with scythe and filing cabinets, and contemplates her experiment: What if no one ever died again? What if she, death with a small d, became human and were to fall in love?
On the first day of the new year, no one dies. This of course causes consternation among politicians, religious leaders, morticians, and doctors. Among the general public, on the other hand, there is initially celebration—flags are hung out on balconies, people dance in the streets. They have achieved the great goal of humanity: eternal life. Then reality hits home—families are left to care for the permanently dying, life-insurance policies become meaningless, and funeral parlors are reduced to arranging burials for pet dogs, cats, hamsters, and parrots.
Death sits in her chilly apartment, where she lives alone with scythe and filing cabinets, and contemplates her experiment: What if no one ever died again? What if she, death with a small d, became human and were to fall in love?
... By the time the narrator has finished with her, death has brought the novel around to yet another fabulous terrain. The ending casts the first sentence in an entirely different light, and I closed the book in triumph and delight...continued
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(Reviewed by Amy Reading).
Saramago's characterization of death departs from convention in several ways—not least in her
insistence in remaining lower case: "I am not Death, but death. Death is
something of which you could never even conceive, and please note, mister
grammarian, that I did not conclude that phrase with a preposition, you human
beings only know the small everyday death that is me, the death which, even in
the very worst disasters, is incapable of preventing life from continuing, one
day you will find out about Death with a capital D, and at that moment, you will
understand the real difference between the relative and the absolute, between
full and empty, between still alive and no longer alive…."
Much Western painting ...
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