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Book Reviewed by:Antonia Lucia Labella has two secrets: at fifteen, she’s still waiting for her first kiss, and she wants to be a saint. An official one. Unfortunately, the two events Antonia’s prayed for seem equally unlikely to happen...
Antonia Lucia Labella has two secrets: at fifteen, she’s still waiting for her first kiss, and she wants to be a saint. An official one. Seem strange? Well, to Antonia, saints are royalty, and she wants her chance at being a princess. All her life she’s kept company with these kings and queens of small favors, knowing exactly whom to pray to on every occasion. Unfortunately, the two events Antonia’s prayed for seem equally unlikely to happen. It’s not for lack of trying. For how long has she been hoping to gain the attention of the love of her life – the tall, dark, andso good-looking Andy Rotellini? Too long to mention. And every month for the last eight years, Antonia has sent a petition to the Vatican proposing a new patron saint and bravely offering herself for the post. So what if she’s not dead?
But as Antonia learns, in matters of the heart and sainthood, things are about as straightforward as wound-up linguini, and sometimes you need to recognize the signs.
Freitas is freshest and most interesting when writing about people who aren't
Italian and issues that are not related to Catholic saints. While the
first generation Italians are painfully stereotypical,
Antonia is finely drawn - she has an earthy liveliness, an amusing lack of
self-knowledge, a distinct voice and a charming yearning for experiencing life,
especially a perfect first kiss.
I'm not sure Freitas needed to
suspend the laws of nature and include miracles of the strictly religious and
extravagant sort. The Labella's fig trees, Antonia's youthful energy, the
generosity of her friends, her mother's love and fresh pasta, and, of course,
her first kiss, are miraculous enough.
Grandmothers, mothers and daughters will enjoy sharing this comic story of a
miraculous first romance...continued
Full Review
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(Reviewed by Jo Perry).
Los Angeles artist J. Michael Walker thinks a lot like Antonia Labella, heroine of The Possibilities of Sainthood. In the summer of 2008 he exhibited a series of large portraits of saints whose names are commemorated in the roads and streets of many Los Angeles neighborhoods. Each large, ink on paper portrait portrays a contemporary person as one of the saints of the City of the Angels. The portraits connect the individual stories with the histories of saints, and blend the quotidian and the miraculous.
For his paintings, Walker researched not just the Catholic saints but the
103 L.A. streets which have been named after them. In this way he created a
spiritual history of the city and a "saint map" of Los ...
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