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A Novel
by Thomas Pletzinger
Book Reviewed by:Rich with anthropological and literary allusion, this prize-winning debut set in Europe, Brazil, and New York, tells the parallel stories of two writers struggling with the burden of the past and the uncertainties of the future.
Journalist Daniel Mandelkern leaves Hamburg on assignment to interview Dirk Svensson, a reclusive children's book author who lives alone on the Italian side of Lake Lugano with his three-legged dog. Mandelkern has been quarreling with his wife (who is also his editor); he suspects she has other reasons for sending him away. After stumbling on a manuscript of Svensson's about a complicated ménage à trois, Mandelkern is plunged into mysteries past and present. Rich with anthropological and literary allusion, this debut set in Europe, Brazil, and New York, tells the parallel stories of two writers struggling with the burden of the past and the uncertainties of the future.
Picking up Pletzinger's literary tour de force, Funeral for a Dog, feels like crashing a party that is in full swing by the time you walk in the door. If you've ever entered a roomful of people you don't know, but who all know each other, you can relate. It may take some time and trust in Pletzinger's authorial skill to get into the groove of the book - and maybe a glass or two of wine - but in the end, your efforts will be worthwhile...continued
Full Review
(673 words)
(Reviewed by Donna Chavez).
The Challenges of Translation
Writing a novel in a single language, for a homogeneous audience is a difficult enough task. However, when a foreign publisher decides to publish a novel in another language, even more challenges ensue. Diana Thow of The Iowa Review discusses these obstacles with Funeral for a Dog author Thomas Pletzinger and translator Ross Benjamin. The following are selected excerpts from the full interview:
DT: Ross how did you involve Thomas in your translation?
RB: I'd say it was question and answer mostly.
TP: The translation was a very slow process. In the beginning we met, talked about the book, drank beer. We would work on one page or two pages and then go for a walk with the dog in between, or have dinner. I ...
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David Varno, Words Without Borders
The kind of writing that makes us want to read the whole book as soon as possible; a shot of adrenaline that immediately takes us to a new world.
