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Book Reviewed by:Fearless, gripping, at once darkly funny and tender, spanning three continents and numerous lives, Americanah is a richly told story set in today's globalized world.
As teenagers in a Lagos secondary school, Ifemelu and Obinze fall in love. Their Nigeria is under military dictatorship, and people are leaving the country if they can. Ifemelu - beautiful, self-assured - departs for America to study. She suffers defeats and triumphs, finds and loses relationships and friendships, all the while feeling the weight of something she never thought of back home: race. Obinze - the quiet, thoughtful son of a professor - had hoped to join her, but post-9/11 America will not let him in, and he plunges into a dangerous, undocumented life in London.
Years later, Obinze is a wealthy man in a newly democratic Nigeria, while Ifemelu has achieved success as a writer of an eye-opening blog about race in America. But when Ifemelu returns to Nigeria, and she and Obinze reignite their shared passion - for their homeland and for each other - they will face the toughest decisions of their lives.
Fearless, gripping, at once darkly funny and tender, spanning three continents and numerous lives, Americanah is a richly told story set in today's globalized world: Chimamanda Ngozi Adichie's most powerful and astonishing novel yet.
Princeton, in the summer, smelled of nothing, and although Ifemelu liked the tranquil greenness of the many trees, the clean streets and stately homes, the delicately overpriced shops, and the quiet, abiding air of earned grace, it was this, the lack of a smell, that most appealed to her, perhaps because the other American cities she knew well had all smelled distinctly. Philadelphia had the musty scent of history. New Haven smelled of neglect. Baltimore smelled of brine, and Brooklyn of sun-warmed garbage. But Princeton had no smell. She liked taking deep breaths here. She liked watching the locals who drove with pointed courtesy and parked their latest model cars outside the organic grocery store on Nassau Street or outside the sushi restaurants or outside the ice cream shop that had fifty different flavors including red pepper or outside the post office where effusive staff bounded out to greet them at the entrance. She liked the campus, grave with knowledge, the Gothic buildings ...
National Book Critics Circle Awards
2013
Set in America, England, and Nigeria, the novel is broad in scope and analysis. Adichie's power of descriptive detail and character development are on full display. Though the novel occasionally unfurls into raw social commentary, the primary story of Ifemelu's quest for self is beautiful and captivating...continued
Full Review
(1021 words)
(Reviewed by Sarah Sacha Dollacker).
Colum McCann, author of Let the Great World Spin
Adichie's great gift is that she has always brought us into the territory of the previously unexplored. She writes about that which others have kept silent. Americanah is no exception. This is not just a story that unfolds across three different continents, it is also a keenly observed examination of race, identity and belonging in the global landscapes of Africans and Americans. If Joyce had silence, exile and cunning for his defense, Adichie has flair, loss and longing. And Adichie is brave enough to allow the story to unfold with a distinct straightforward simplicity that never loses its edgy intellect. Dave Eggers, author of A Hologram for the King
An incredibly readable and rich tapestry of Nigerian and American life, and the ways a handful of vivid characters - so vivid they feel like family - try to live in both worlds simultaneously. As she did so masterfully with Half of a Yellow Sun, Adichie paints on a grand canvas, boldly and confidently, equally adept at conveying the complicated political backdrop of Lagos as she is in bringing us into the day-to-day lives of her many new Americans - a single mom, a student, a hairdresser. This is a very funny, very warm and moving intergenerational epic that confirms Adichie's virtuosity, boundless empathy and searing social acuity.Ifemelu remarks that there is no better metaphor for race in America than black women's hairstyles, and the history of Afro-textured hair would seem to support her observation. In Africa, especially prior to the slave trade, hairstyles were used to communicate a variety of messages from status to identity to fertility. Dense, thick, clean and neatly groomed hair was highly prized. Hair stylists were well-versed in a variety of hair designs that helped them to create styles that would conform to the local standards of their villages or tribes. Braiding, which is a multi-million dollar industry in America and Europe today, was, during this time, a free and communal affair, an opportunity for female bonding. Braiding sessions included ...
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