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Renegade Chefs, Fearless Eaters, and the Making of a New American Food Culture
by Dana GoodyearAnything That Moves is a highly entertaining, revelatory look into the raucous, strange, fascinatingly complex world of contemporary American food culture, and the places where the extreme is bleeding into the mainstream.
A new American cuisine is forming. Animals never before considered or long since forgotten are emerging as delicacies. Parts that used to be for scrap are centerpieces. Ash and hay are fashionable ingredients, and you pay handsomely to breathe flavored air. Going out to a nice dinner now often precipitates a confrontation with a fundamental question: Is that food?
Dana Goodyear's anticipated debut, Anything That Moves, is simultaneously a humorous adventure, a behind-the-scenes look at, and an attempt to understand the implications of the way we eat. This is a universe populated by insect-eaters and blood drinkers, avant-garde chefs who make food out of roadside leaves and wood, and others who serve endangered species and Schedule I drugs - a cast of characters, in other words, who flirt with danger, taboo, and disgust in pursuit of the sublime. Behind them is an intricate network of scavengers, dealers, and pitchmen responsible for introducing the rare and exotic into the marketplace. This is the fringe of the modern American meal, but to judge from history, it will not be long before it reaches the family table.
Anything That Moves is a highly entertaining, revelatory look into the raucous, strange, fascinatingly complex world of contemporary American food culture, and the places where the extreme is bleeding into the mainstream.
Denying someone's humanity based on what they eat is a form xenophobia. In America, it
can also be sibling rivalry. When Jonathan Gold got back from Korea, in the fall of
2008, he published a piece about eating whale in Ulsan, a port city in the south. "I am
surprised to discover that the whale is delicious, leaner than beef, with a rich, mineral
taste and a haunting, almost waxy aftertaste that I can't quite place," he wrote. "I
am already anticipating the nasty glare I will inevitably get from my marine-scientist
brother, Mark, who as the leader of Heal the Bay has dedicated his life to pretty much
the opposite of this. I swear: I'll never eat whale again. Mark responded, on the
Weekly's Letters page:
Bro now you've crossed the line. For far too long, you have been chowing down on
every marine critter I've spent my life protecting, from shark's fin soup to live prawns
to bluefin to wild?caught sturgeon (largely ...
Anything That Moves is a winning and delicious account of avant-garde American cuisine. Many of these chapters have been cobbled together from The New Yorker and occasionally the book lacks a tight coherence. It’s subtitle - Renegade Chefs, Fearless Eaters, and the Making of a New American Food Culture - tries to remedy this lapse somewhat but doesn’t completely succeed. Nevertheless Anything That Moves is reporting at its best and deserves a wide and enthusiastic audience...continued
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(Reviewed by Poornima Apte).
One of the avant-garde trends in American cuisine explored in Anything That Moves is the growth of the raw food movement. Raw foodists believe that cooking destroys critical enzymes from food needed for good health and digestion. So everything - milk, meat, vegetables, grains - is consumed raw. Special co-ops around the country deliver these raw foods to consumers often flying under the radar because the laws that govern selling unpasteurized dairy vary from state to state. Rawesome is one such co-op in Los Angeles which is profiled in Anything That Moves. Its director, James Stewart, often sets up the sales from a parking lot. Included in the offerings are all kinds of raw meats including bison. Rawesome has been shut down twice by health ...
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