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"Like Edward feels upon discovering a transcendent piece of art, this book finds that little opening at the edge of your soul and seeps in."
Edward Darby has everything a man could hope for: meaningful work, a loving wife, and a beloved daughter. With a rising career as a partner at an esteemed gallery, he strives not to let ambition, money, power, and his dark past corrode the sanctuary of his domestic and private life. Influenced by his father, a brilliant Romantics scholar, Edward has always been more of a purist than an opportunist. But when a celebrated artist controlled by her insecurities betrays him, and another very different artist awakens his heart and stirs up secrets from his past, Edward will find himself unmoored from his marriage, his work, and the memory of his beloved father. And when the finalist of an important prize are announced, and the desperate artists maneuver to seek its validation, Edward soon learns that betrayal comes in many forms, and that he may be hurtling toward an act that challenges his own notions about what comprises a life worth living.
Prologue
Edward Darby knew that an artist's work had the power to change the way in which art was perceived, for every successful artist must recreate the medium, but he did not know, each time he went to a new artist's studio, if he'd ever find it. When you see a work of art, it will be as if everything else in relationship to it has faded. Art should transport the seer from the ordinary to the sublime. His father, a scholar of Romantic poetry, told him this when he was a boy. But it was more than that. It was the myths artists created about their work that gave it clout, and as an art dealer, he was part of that creation. He thought about all this as he looked for Agnes Murray's name on the directory in the vestibule of a crumbling old warehouse in Bushwick. It was a cold and gray morning in April. He hoped he wasn't wasting his time.
He climbed four staircases to her studio. Out of breath, he saw her leaning against the battered door at the end of a ...
As a portrait of middle-aged vulnerability and weakness, this is a rich story with a believable, complex central character. Edward might choose the worst imaginable moment to reveal the secret from his past to his wife, Holly, but he remains a sympathetic character, even when his failings are most obvious. The marriage between the two celebrity artists is also intriguing, with suggestions of competition and manipulation between the pair. The Prize is a moving, well-crafted novel but at times the drama lacks urgency. Bialosky has a penchant for mirroring her character's interior struggles or disappointments in descriptive passages that slow the narrative...continued
Full Review (405 words)
(Reviewed by Kate Braithwaite).
The events of September 11, 2001 changed the world in many ways and naturally, that change has been reflected in the arts and humanities. In film, fiction, theatre and more, artists from across the globe have responded to the tragedy in many ways and on many levels.
"After 9/11," writes Jill Bialosky in her novel The Prize, "many artists questioned how they could make the same work they had made before." In the book, Agnes Murray and her husband Nate explore "the legacy of 9/11" in their work. Although they are fictional characters, in the real world, many continue to respond to 9/11 and the subsequent war on terror.
In film, United 93 (2006), charts the hijacking of a plane bound for San Francisco from Newark on the morning of ...
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Heaven has no rage like love to hatred turned, Nor hell a fury like a woman scorned.
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