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Book Reviewed by:"One of the most harrowing, powerful, and imaginative books of the year" (Anthony Doerr) about twin sisters fighting to survive the evils of World War II.
Pearl is in charge of: the sad, the good, the past.
Stasha must care for: the funny, the future, the bad.
It's 1944 when the twin sisters arrive at Auschwitz with their mother and grandfather. In their benighted new world, Pearl and Stasha Zagorski take refuge in their identical natures, comforting themselves with the private language and shared games of their childhood.
As part of the experimental population of twins known as Mengele's Zoo, the girls experience privileges and horrors unknown to others, and they find themselves changed, stripped of the personalities they once shared, their identities altered by the burdens of guilt and pain.
That winter, at a concert orchestrated by Mengele, Pearl disappears. Stasha grieves for her twin, but clings to the possibility that Pearl remains alive. When the camp is liberated by the Red Army, she and her companion Feliks--a boy bent on vengeance for his own lost twin--travel through Poland's devastation. Undeterred by injury, starvation, or the chaos around them, motivated by equal parts danger and hope, they encounter hostile villagers, Jewish resistance fighters, and fellow refugees, their quest enabled by the notion that Mengele may be captured and brought to justice within the ruins of the Warsaw Zoo. As the young survivors discover what has become of the world, they must try to imagine a future within it.
A superbly crafted story, told in a voice as exquisite as it is boundlessly original, Mischling defies every expectation, traversing one of the darkest moments in human history to show us the way toward ethereal beauty, moral reckoning, and soaring hope.
PART ONE
CHAPTER ONE
World After World
We were made, once. My twin, Pearl, and me. Or, to be precise, Pearl was formed and I split from her. She embossed herself on the womb; I copied her signature. For eight months we were afloat in amniotic snowfall, two rosy mittens resting on the lining of our mother. I couldn't imagine anything grander than the womb we shared, but after the scaffolds of our brains were ivoried and our spleens were complete, Pearl wanted to see the world beyond us. And so, with newborn pluck, she spat herself out of our mother. Though premature, Pearl was a sophisticated prankster. I assured myself that it was just one of her tricks; she'd be back to laugh at me. But when Pearl failed to return, I lost my breath. Have you ever had to live with the best part of yourself adrift, stationed at some unknowable distance? If so, I am sure you are aware of the dangers of this condition. After my breath left me, my heart followed suit, and my brain ran with an ...
It is hard to describe the alchemy that Konar performs to make this story so uplifting. In a way, she has created a kinder, gentler twin experiment of her own: how will Sasha and Pearl, "two parts," so alike, but so different in disposition, face and overcome their traumas, with rage or with kindness, vengeance, or forgiveness. The results of this experiment, unlike those conducted at Auschwitz, actually has value for humanity...continued
Full Review
(711 words)
(Reviewed by Lisa Butts).
Anthony Doerr, author of New York Times bestseller All The Light We Cannot See
Mischling is a paradox. It's a beautiful novel about the most odious of crimes, it's a deeply-researched act of remembrance that somehow carries the lightness of a fairy tale, and it's a coming-of-age story about children who aren't allowed to come of age. If your soul can survive the journey, you'll be rewarded by one of the most harrowing, powerful, and imaginative books of the year. Ben Marcus, author of The Flame Alphabet
This novel, haunted by history and the unknowable power of family, is made bearable--indeed, necessary--by the spectacle of a literary imagination that observes no limits. Konar has produced a tremendously unsettled work of art. Chigozie Obioma, author of The Fishermen
Affinity Konar's Mischling is a piercing novel written with chin-up virtuosity. The prose is dazzling, and the story of these twins is moving and searing, and as powerful as the best mythic stories of the masters of old. Cristina Henriquez, author of The Book of Unknown Americans
Mischling transported me to another world. It's a world that's part of our history, of course, and in a book that's so much about illusion, the true sleight of hand is that Affinity Konar allows us to see it anew. Brace yourself for a novel unlike any you've ever read. David Wroblewski, author of the New York Times bestseller The Story of Edgar Sawtelle
Affinity Konar's Mischling is a tale of courage, courageously told - spare and beautiful, riveting and heartrending. Half of me wanted to linger over every page, the other half insisted I race ahead. It's a case of extraordinary storytelling from first page to transcendent last. Karen Russell, author of Swamplandia
Affinity Konar is an astonishing and fearless writer, whose great gift to us is this book. With incantatory magic, she marches through the most nightmarish of landscapes, swinging her light. Lucette Lagnado, author of Children of the Flames and The Man in the Sharkskin Suit, winner of the Sami Rohr Prize for Jewish Literature
Konar has woven a masterful and poignant account of a pair of twin sisters who cannot be separated, even by the cruelest hand of fate. Her prose is mystical and delicately poetic, and she uses her manifold gifts to tell a deeply engaging story of fortitude and triumph. Bravo. Molly Antopol, author of The UnAmericans
Mischling is a phenomenal book--harrowing and heartbreaking, intimate and epic--and Affinity Konar is a wise and compassionate writer with talent in spades. An achingly beautiful novel that will stay with me for a long, long time. Rivka Galchen, author of Atmospheric Disturbances
Reading Mischling reminds me of looking at the images that came back from the Hubble space telescope: it's the night sky we think we know so well, and it's something we've never seen before. Affinity Konar's work is beautiful and essential.
The twins in Mischling are loosely based on Romanian sisters Eva and Miriam Mozes, survivors of "Angel of Death" Josef Mengele's sadistic experiments at Auschwitz. Having studied twins in a legitimate capacity earlier in his career, Mengele took advantage of his position as a doctor at Auschwitz to perform unwarranted operations, mutilations, deadly blood transfusions, and other atrocities on the hundreds of sets of twins forced into the labor camp. Mengele reportedly injected his subjects' eyes with chemicals in an attempt to change their color (Stasha suffers this treatment in Mischling) and if one twin died the other was swiftly murdered so Mengele could perform a comparative post-mortem (or, as likely in many cases, because a single...
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