BookBrowse Review
BookBrowse
The End We Start From shares the shelf with other tales of war and survival. In this case the enemy is natural disaster and the quest is for a return to normal. Home will never seem the same, even if they're able to repopulate; trauma will resonate even if R and the narrator find each other after displacement. I'm not going to spoil the plot here, but much of what kept me riveted to this novel is the exquisite, poetic language. Hunter's settings, imagery, and characters conspire to deliver a cinematic, if sometimes fragmented reading experience, absent of actual dialogue. The book is longlisted for the 2018 Aspen Words Literary Prize, recommended to those who like their fiction literary and poetic with strong motherhood themes and a tender, understated love story...continued
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(Reviewed by Karen Lewis).
Media Reviews
Vogue.com "What To Read this Fall"
Extraordinary...a spare, futuristic fable about a brand-new mother navigating a flooded world.
Forward Reviews
Poetic and succinct, Megan Hunter's
The End We Start From is an etiological exercise for a climate-changed world - a post-apocalyptic novel in which current human mistakes are followed forward to dismaying ends... Hunter's is an uncommon disaster tale - lovely, intimate, and foreboding.
Elle (UK)
A new take on the [dystopian] genre, this startling debut combines utter despair with the reality of family life...Megan Hunter's prose is beautiful and insightful. Everyone who reads this will come away feeling renewed.
Financial Times (UK)
The End We Start From is reminiscent of Cormac McCarthy's
The Road, in that it shares the same narrative detachment, and the same precise poetry...Megan Hunter's remarkable debut novel feels like the other half of the story.
he Independent (UK)
[A] strange and haunting novella-cum-prose poem... oddly familiar, both to the narrator and to the reader, all the dystopian fiction that's come before filling in the ellipses in Hunter's narrative... Virginia Woolf does cli-fi...the beating heart of this tender and tremendous story is without doubt Hunter's portrait of early motherhood, an all-encompassing world of its own.
Naomi Alderman's Book of the Year (Summer books 2017) in the Financial Times (UK)
The End We Start From by Megan Hunter is a short, concentrated book – a shot of distilled story, like the pulp of a tale boiled to a thick spiced paste…With passages from mythology interspersed with its imagined future, the book is engrossing, compelling and finally hopeful.
Psychologies (UK)
Book of the Month. You can tell that Megan Hunter is a poet: her slender, startling debut shimmers with light, even as the novel heads into dark territory...Tender and profound.
The Bookseller (UK)
Editor's Choice. A very exciting debut from a hugely talented young writer ... [Hunter's] beautiful prose is spare, yet able to conjure every emotion in the reader from terror to wonder. A stunning achievement.
The Daily Mail (UK), Best Debuts
Ambitious, original and disturbing.
The Guardian, Best Debut Fiction (UK)
Startlingly poetic...Hunter writes with delicacy and precision; her imagery is pearlescent in places. It's a sliver of a novel, but it shimmers.
The Observer (UK)
A short, haunting story about the end of days, sparse, beautiful and heroic.
The Irish Times
Motherhood is an immersive experience and Hunter is brilliant on the urgency of it... Hunter traces - with expert precision and such lyricism - who we are when life is minimized...it is a highly interior story, in the hands of a narrator of great skill.
Library Journal
Starred Review. The story may seem familiar - the dystopian nightmare, the mass migration, food shortages, an uncertain future - but debut novelist Hunter's spare prose and luminous writing give it a fresh immediacy.
Booklist
A uniquely intimate tale of motherhood amid catastrophe.
Kirkus Reviews
Prescient in its depiction of climate change-induced catastrophe and timeless in its cleareyed understanding of love, Hunter's tale gains impact from its plausibility.
Publishers Weekly
The postapocalyptic literary novel is currently in vogue almost to the point of redundancy, but Hunter's slim yet sharp debut offers a level of precision and interiority rarely seen in the genre...Told in a voice that is by turns meditative, desperate, and hopeful, this novel showcases Hunter's considerable talents and range.
Christie Watson, author of Tiny Sunbirds Far Away
I held my breath reading this beautiful and timely novel. With precise yet lyrical language Megan Hunter gets to the centre of who we are, where we are, and why it matters.
The End We Start From is a work of art.
Cynan Jones, author of The Dig
Beautiful ... Water isn't the thing here, love is. And how we survive as the level of love rises.
Emily St. John Mandel, author of Station Eleven
A beautifully spare, haunting meditation on the persistence of life after catastrophe. I loved it.
Evie Wyld, author of All the Birds, Singing
An exceptional, alarming and beautiful book, which still echoes months after I finished reading it. Megan Hunter is a writer of unnerving power.
Hannah Kent, author of Burial Rites
Extraordinary. Megan Hunter's prose is exquisite, her depiction of a world descending into chaos is frighteningly real, and yet, it is her portrayal of motherhood - that tender-terrifying experience of bringing a child into a world - that has remained with me.
The End We Start From is an incredible, original exploration of all that beauty, boredom and bewilderment. I read it in one sitting, and was deeply moved.
Jim Crace, author of Harvest
I can't remember ever having read a novel quite as sparing or as daring as Megan Hunter's
The End We Start From, or one that delivers so mighty an impact from such delicate materials. It is a moving, wistful and compelling debut.
Lisa Owens, author of Not Working
A beautiful, timely book about survival (both domestic and global) shot through with hope and humanity.
Nathan Filer, author of The Shock of the Fall
I'll be recommending this book for years to come. Utterly brilliant, hugely important. Here's the thing: it's perfect.
Rowan Hisayo Buchanan, author of Harmless Like You
The End We Start From is relentlessly, achingly personal. Hunter reminds us that disasters are rarely experienced in panorama. Instead, we live bone-deep inside our narrator. This book is fierce, sorrowful, and spiked with moments of bright joy.
Tracy Chevalier, author of Girl With a Pearl Earring
The End We Start From is strange and powerful, and very apt for these uncertain times. I was moved, terrified, uplifted - sometimes all three at once. It takes skill to manage that, and Hunter has a poet's understanding of how to make each word count.