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Stories
by David Means"One of the most talented writers of short fiction in America." - James Wood, The New Yorker
Following the publication of his widely acclaimed, Man Booker-nominated novel Hystopia, David Means here returns to his signature form: the short story. Thanks to his four previous story collections, Means has won himself an international reputation as one of the most innovative short fiction writers working today: an "established master of the form." (Laura Miller, The Guardian). Instructions for a Funeral - featuring work from The New Yorker, Harper's, The Paris Review, and VICE - finds Means branching out beyond the explorations of violence and trauma with which he is often identified, prominently displaying his sly humor and his inimitable way of telling tales that deliciously wind up to punch the reader in the heart.
With each story Means pushes into new territory, writing with tenderness and compassion about fatherhood, marriage, a homeless brother, the nature of addiction, and the death of a friend at the hands of a serial-killer nurse. Means transmutes a fistfight in Sacramento into a tender, life-long love story; two FBI agents on a stakeout in the 1920s into a tale of predator and prey, paternal urges and loss; a man's funeral instructions into a chronicle of organized crime, real estate ventures, and the destructive force of paranoia.
Means's work has earned him comparisons to Flannery O'Connor, Alice Munro, Sherwood Anderson, Denis Johnson, Edgar Allan Poe, Anton Chekhov, and Raymond Carver but his place in the American literary landscape is fully and originally his own.
CONFESSIONS
THE WORK
I've been writing stories for thirty years now, many published, others not published but trashed, put to bed, dead in the water, so to speak; lost to me, to eternity, or whatever. There's simply no way to distill or describe what's in the stories, except to say I attempt, to say the least, to respect whatever each story seems to want—not only to want to be, but to say in its own way—each one, as far as I can see, an expression of a particular ax I must grind, particular souls in particular situations, and in some cases a voice that needs to say what it says or else (and I feel this, really, I do) it'll be lost forever to the void, the same place where most stories go, forever; the real stories of men and women who lived lives—quiet desperation!—and then died, gone forever into eternity, so to speak. It's a gut feeling, a need to reveal something and to pin it down forever, and it involves a lot of revision, fixing mistakes and covering ...
Means approaches his characters' tensions and torments with refined, yet digressive prose. Depicting fights, affairs, illnesses, addictions, deaths and murders, this collection critiques how people remember things and explores why we need stories. For readers who are drawn to the cutting, focused form of short stories and contemporary, unconventional voices in the medium, Instructions for a Funeral is a worthy read...continued
Full Review (669 words)
(Reviewed by Jamie Chornoby).
Throughout his collection of short stories, Instructions for a Funeral, David Means shows the ways in which people's recollections of the past change over time. Learning new information, reconsidering ethical stances and changing self-perceptions contribute to characters tweaking their memories to better fit new narratives about their lives and the lives of those around them. In this way, people's memories can be a product of the narratives they choose, rather than an objectively true recall of events. Psychology provides us with some insight into how memory affects the ways in which people understand the world around them.
Memory refers to the structures and processes the brain uses to store and recall information. According to Richard ...
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