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Book Reviewed by:Combining the emotional resonance of Home Fire with the ambition and innovation of Asymmetry, a lyrical and thought-provoking debut novel that explores the complex web of grief, memory, time, physics, history, and selfhood in the immigrant experience, and the complicated bond between daughters and mothers.
On the night of June Fourth, a woman gives birth in a Beijing hospital alone. Thus begins the unraveling of Su Lan, a brilliant physicist who until this moment has successfully erased her past, fighting what she calls the mind's arrow of time.
When Su Lan dies unexpectedly seventeen years later, it is her daughter Liya who inherits the silences and contradictions of her life. Liya, who grew up in America, takes her mother's ashes to China—to her, an unknown country. In a territory inhabited by the ghosts of the living and the dead, Liya's memories are joined by those of two others: Zhu Wen, the woman last to know Su Lan before she left China, and Yongzong, the father Liya has never known. In this way a portrait of Su Lan emerges: an ambitious scientist, an ambivalent mother, and a woman whose relationship to her own past shapes and ultimately unmakes Liya's own sense of displacement.
A story of migrations literal and emotional, spanning time, space and class, Little Gods is a sharp yet expansive exploration of the aftermath of unfulfilled dreams, an immigrant story in negative that grapples with our tenuous connections to memory, history, and self.
The End
June 3–4, 1989
From above, the heart of the city is easy to see. Beijing is a bull's-eye. Concentric ring roads close in toward the old city walls, now paved into wide avenues. The avenues form a tight band around the heart: the south-facing gates, the moated palace, the desert square. On a map, diminishing circles draw in the eye, as if to say, Come.
Bodies have come. In the square, bodies sit, stand, and lie on the hot paved stone. The square was built for six hundred thousand bodies; for weeks, there have been more. Rats sniff between folds of newspaper; flies regurgitate on sunburned shins; roaches scuttle across sleeping toes. Women in white uniforms weave through carrying metal tanks, spraying disinfectant where concrete shows. From above, this movement looks like a primitive organism, breathing. In the nucleus a burst of color radiates and contracts, radiates and contracts, as bodies leave the square, return and leave again. West of the outer ring, a dark mass ...
The panoply of narrators naturally means that certain sections are more successful than others; certain voices are more compelling, certain storylines feel more relevant. But when viewed as a whole, Little Gods is like a jigsaw that falls into place as soon as you close the final page. An intricate novel about grief, loss, memory and the self as it relates to one's culture, Little Gods is a smart, emotionally charged novel that at times is nearly as elusive as Su Lan's character, but well worth the effort...continued
Full Review
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(Reviewed by Rachel Hullett).
Claire Messud
Meng Jin's beautiful debut novel is ambitious in the best ways: meticulously observed, daringly imagined, rich in character and history. Ranging across continents, cultures and generations, Jin poses profound questions: how might we know ourselves, or the people we love? And what truths, if any, travel with us? Colum McCann
Meng Jin is a writer whose sweep is as intimate as it is global. Little Gods is a novel about the heart-wracking ways in which we move through history and time. A fierce and intelligent debut from a writer with longitude and latitude embedded in her vision.
One of the largest public squares in the world, Tiananmen Square lies in the heart of Beijing. It's named after a monumental gate built in the 1400s leading into the Forbidden City; Tiananmen means "Gate of Heavenly Place." Despite the serene undertones of the name, however, Tiananmen Square has long been a site of political unrest and violence.
The most notable event in its history is a series of student protests that culminated in a brutal massacre on June 4, 1989. Earlier that same year, in April, liberal Communist Party leader Hu Yaobang died, and the streets were flooded with mourners, mostly students. This mourning soon took the form of protest—students took to the streets in order to demand political and economic reform. ...
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