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Summary and Reviews of The Last Full Measure by Jeff Shaara

The Last Full Measure by Jeff Shaara

The Last Full Measure

by Jeff Shaara
  • Critics' Consensus (3):
  • Readers' Rating (4):
  • First Published:
  • Jun 1, 1998, 560 pages
  • Paperback:
  • May 1999, 560 pages
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About This Book

Book Summary

Full of human passion and the spellbinding truth of history, The Last Full Measure is the fitting capstone to a magnificent literary trilogy.

In the Pulitzer prize-winning classic The Killer Angels, Michael Shaara created the finest Civil War novel of our time, an enduring bestseller that has sold more than two million copies. In the bestselling Gods and Generals, Shaara's son, Jeff, brilliantly sustained his father's vision, telling the epic story of the events culminating in the Battle of Gettysburg. Now, Jeff Shaara brings this legendary father-son trilogy to its stunning conclusion in a novel that brings to life the final two years of the Civil War.

As The Last Full Measure opens, Gettysburg is past and the war advances to its third brutal year. On the Union side, the gulf between the politicians in Washington and the generals in the field yawns ever wider. Never has the cumbersome Union Army so desperately needed a decisive, hard-nosed leader. It is at this critical moment that Lincoln places Ulysses S. Grant in command--and turns the tide of war.

For Robert E. Lee, Gettysburg was an unspeakable disaster--compounded by the shattering loss of the fiery Stonewall Jackson two months before. Lee knows better than anyone that the South cannot survive a war of attrition. But with the total devotion of his generals--Longstreet, Hill, Stuart--and his unswerving faith in God, Lee is determined to fight to the bitter end.

Here too is Joshua Chamberlain, the college professor who emerged as the Union hero of Gettysburg--and who will rise to become one of the greatest figures of the Civil War.

Battle by staggering battle, Shaara dramatizes the escalating confrontation between Lee and Grant--complicated, heroic, deeply troubled men. From the costly Battle of the Wilderness to the agonizing siege of Petersburg to Lee's epoch-making surrender at Appomattox, Shaara portrays the riveting conclusion of the Civil War through the minds and hearts of the individuals who gave their last full measure.

Full of human passion and the spellbinding truth of history, The Last Full Measure is the fitting capstone to a magnificent literary trilogy.

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Reviews

Media Reviews

The Baltimore Sun
A worthy companion to its two predecessors. . . These characters come alive as complex, heroic, and flawed men. . . . You are with [Robert E.] Lee, a deeply religious man, as he first begins to wonder if the Confederate cause will prevail. . . . You ride with [Ulysses S.] Grant to see the mounds of Union dead at Cold Harbor, and you share his sickening realization that thousands are dead because of his miscalculation. . . . You are at [Joshua] Chamberlain's bedside as he fights to recover from nearly mortal wounds. . . . Each book is masterful in its own way and taken together, they are unmatched in the body of Civil War literature.

Library Journal
As characters, Grant and Lee dominate this book, overshadowing such other historical figures as Joshua Lawrence Chamberlain and John Gordon. Civil War buffs will find Shaara nodding on some small details, but they generally will be delighted with this book. More general readers, however, may find it lacks the dramatic intensity of his father's riveting novel. While not ranking with the very best Civil War fiction, it does take its place along side such fine ones as William Safire's Freedom

Publishers Weekly
Concluding the Civil War trilogy that began with his father Michael's Pulitzer-winning The Killer Angels, Shaara (Gods and Generals) chronicles Lee's retreat from Gettysburg and his valiant efforts to defend northern Virginia from Grant's superior, better-supplied forces.....the occasionally coarse grain of Shaara's characterizations is a problem. Haunted by Stonewall Jackson's ghost, 56-year-old Lee frequently appears to be a semisenile neurotic. Grant, more concerned about his supply of cigars than battle losses, comes across as a dolt. This tendency toward caricature notwithstanding, Shaara has produced a stirring epigraph to his father's remarkable novel.

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