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Five Bullets, One Gun, and the Struggle to Save an American Neighborhood
by Julian RubinsteinAn award-winning journalist's dramatic account of a shooting that shook a community to its core, with important implications for the future
On the last Friday evening of the summer of 2013, five shots rang out in the parking lot of a new Boys & Girls Club in a part of northeast Denver known as the Holly. Long a destination for African American families fleeing the Jim Crow South, the Holly had become an "invisible city" within a historically white metropolis. While shootings weren't uncommon, the identity of the shooter that night came as a shock. Terrance Roberts was a revered activist. His attempts to bring peace to his community had won the accolades of both his neighbors and the state's most important power brokers. Why had he just fired a gun?
In The Holly, the award-winning journalist Julian Rubinstein, who grew up in Denver, reconstructs the events leading up to the fateful confrontation that left a local gang member paralyzed and Terrance Roberts on trial, facing a life in prison. Much more than the story of a shooting, The Holly is a multigenerational crime story that explores the porous boundaries between a city's elites and its most disadvantaged citizens, as well as the fraught interactions of police, confidential informants, activists, gang members, and ex-gang members trying―or not―to put their pasts behind them. It shows how well-intentioned urban renewal may hasten gentrification, and what happens when overzealous policing collides with gang members who conceive of themselves as defenders, however imperfect, of a neighborhood.
In the era of Black Lives Matter and urgent debates about the future of policing, Rubinstein offers a nuanced and humane illumination of what's at stake.
ACT I
1
Terrance's grandmother, Ernestine Boyd, was nineteen when she decided to run away. It was 1955. The eldest of ten, she was living with her parents and nine siblings in a small cabin on a cotton plantation in Bradley, Arkansas, where the family worked. She had just been promoted to cook, which seemed to be a blessing. She hadn't enjoyed picking cotton in the baking sun, for two dollars a day. In the kitchen, she'd make three dollars, and the plantation owner and his wife, on whose property she'd lived since she was six, loved her cooking.
But a few days into the new job, Mr. Pearson, the plantation owner, came into the kitchen and grabbed Ernestine from behind. He tried to kiss her. When she pushed him away he said something that kept her up all night. He asked if she would like to see the "nigger" who'd recently come by on his bike to pick her up "lying in a ditch."
Ernestine wasn't sure yet if she was in love with the man on the bike. Tall, lithe, and spirited, she had many ...
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