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Book Reviewed by:A kaleidoscopic fictional oral history of the beloved rock 'n' roll duo who shot to fame in 1970s New York, and the dark, fraught secret that lies at the peak of their stardom.
Opal is a fiercely independent young woman pushing against the grain in her style and attitude, Afro-punk before that term existed. Coming of age in Detroit, she can't imagine settling for a 9-to-5 job—despite her unusual looks, Opal believes she can be a star. So when the aspiring British singer/songwriter Neville Charles discovers her at a bar's amateur night, she takes him up on his offer to make rock music together for the fledgling Rivington Records.
In early seventies New York City, just as she's finding her niche as part of a flamboyant and funky creative scene, a rival band signed to her label brandishes a Confederate flag at a promotional concert. Opal's bold protest and the violence that ensues set off a chain of events that will not only change the lives of those she loves, but also be a deadly reminder that repercussions are always harsher for women, especially black women, who dare to speak their truth.
Decades later, as Opal considers a 2016 reunion with Nev, music journalist S. Sunny Shelton seizes the chance to curate an oral history about her idols. Sunny thought she knew most of the stories leading up to the cult duo's most politicized chapter. But as her interviews dig deeper, a nasty new allegation from an unexpected source threatens to blow up everything.
Provocative and chilling, The Final Revival of Opal & Nev features a backup chorus of unforgettable voices, a heroine the likes of which we've not seen in storytelling, and a daring structure, and introduces a bold new voice in contemporary fiction.
A brief audio excerpt from The Final Revival of Opal & Nev is available on the Simon & Schuster website (link opens in a new window).
Dawnie Walton creates such an absorbing environment through the interviews and Curtis's editor's notes that she disappears. Curtis is in charge here, digging deep into music history with such skill and passion that Opal & Nev might actually have existed. And what makes this a formidable novel is that these voices, from the title duo to all those who surrounded them, are so distinct, so strong, that the reader gets a vivid sense of each one as they go along...continued
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(Reviewed by Rory L. Aronsky).
Ayana Mathis, New York Times bestselling author of The Twelve Tribes of Hattie
'Bold' doesn't even begin to describe it. Dawnie Walton's exhilarating debut is a thrill ride into the Afro-punk 1970s complete with a central character so unforgettable, you'll almost believe you've heard her name before. Innovative, sexy, edgy— I've never read anything like Opal & Nev, and I promise you haven't either. Jason Reynolds, New York Times bestselling author of A Long Way Down
The Final Revival of Opal & Nev is as musical and revolutionary in tone and structure as it is in content. It delves into the complexities of the creative life, specifically as it pertains to Black women, and instead of shying away or egg-shelling, it does what every good book does: tells the truth. A truth that bangs. That shrieks. A siren song to shatter what we've known of the novel. Things won't ever be the same after this. And I'm so happy Dawnie Walton has arrived. Ta-Nehisi Coates, New York Times bestselling author of The Water Dancer and Between the World and Me
Dawnie Walton's The Final Revival Of Opal & Nev is one of the most immersive novels I've ever read. This is largely because of Walton's skill at letting so many people talk in so many different ways. Voices are marshalled from across America, and then across the Atlantic, and blended seamlessly into a tale about black culture, black women American capitalism. This is a thrilling work of polyphony—a first novel, that reads like the work of an old hand.
In The Final Revival of Opal & Nev, Opal Jewel finds solace in Paris when her music partner, Nev Charles, has become increasingly unreliable due to an opioid addiction.
It begins at Versailles with a charity fashion show designed to raise money for the palace's restoration, where celebrity attendees include Stephen Burrows, one of the first famous African American fashion designers, and singer-dancer Josephine Baker, who is 67 years old and resplendent in a sequined catsuit and a headdress with feathers. By fall of 1973 when this scene from the novel takes place, the real-life Baker had been living full-time in Paris for over 25 years. She fell hard for the city in 1925 when she first performed there. Just 19 years old at the time, she ...
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