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Book Reviewed by:Urgent, propulsive, and sharp as a knife, The Other Black Girl is an electric debut about the tension that unfurls when two young Black women meet against the starkly white backdrop of New York City book publishing.
Twenty-six-year-old editorial assistant Nella Rogers is tired of being the only Black employee at Wagner Books. Fed up with the isolation and microaggressions, she's thrilled when Harlem-born and bred Hazel starts working in the cubicle beside hers. They've only just started comparing natural hair care regimens, though, when a string of uncomfortable events elevates Hazel to Office Darling, and Nella is left in the dust.
Then the notes begin to appear on Nella's desk: LEAVE WAGNER. NOW.
It's hard to believe Hazel is behind these hostile messages. But as Nella starts to spiral and obsess over the sinister forces at play, she soon realizes that there's a lot more at stake than just her career.
A whip-smart and dynamic thriller and sly social commentary that is perfect for anyone who has ever felt manipulated, threatened, or overlooked in the workplace, The Other Black Girl will keep you on the edge of your seat until the very last twist.
Excerpt
The Other Black Girl
July 23, 2018
Wagner Books
Midtown, Manhattan
The first sign was the smell of cocoa butter.
When it initially crept around the wall of her cubicle, Nella was too busy filing a stack of pages at her desk, aligning each and every one so that the manuscript was perfectly flush. She was so intent on completing this task—Vera Parini needed everything to be flush, always— that she had the nerve to ignore the smell. Only when it inched up her nostrils and latched onto a deep part of her brain did she stop what she was doing and lift her head with sudden interest.
It wasn't the scent alone that gave her pause. Nella Rogers was used to all kinds of uninvited smells creeping into her cubicle—usually terrible ones. Since she was merely an editorial assistant at Wagner Books, she had no private office, and therefore no walls or windows. She and the other open-space assistants were at the mercy of a hardboiled egg or the passing of gas; they were often...
What plays out is a thrilling but horrifying reveal of a conspiracy borne of experiences of racism and disenchantment, rooted in reality but taken to their logical, fictional end. The setting works very well on two counts: For one, since Harris has been employed in publishing herself, she is able to create a picture full of uncommon insight into what it is like to be a Black woman in the industry. And two, as publishing is a modern ivory tower where culture is shaped, its presence allows for commentary on those who presumably shape it. Wagner Books has hired some of the most highly educated, well-read individuals; but these (white) people, entangled as they are in their privilege, are unable to engage with questions of diversity meaningfully or to sincerely engage with experiences different from their own...continued
Full Review
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(Reviewed by Tasneem Pocketwala).
Emily St. John Mandel
Riveting, fearless, and vividly original. This is an exciting debut. Walter Mosley
Witty, inventive, and smart, The Other Black Girl goes deeper to take on class privilege, race, and gender in a narrative that slyly plays along the edges of convention. Zakiya Dalila Harris's debut is a brilliant combustion of suspense, horror, and social commentary that leaves no assumption unchallenged and no page unturned.
In her debut thriller, The Other Black Girl, Zakiya Dalila Harris includes but does not explain certain concepts linked to Black life. This may be an intentional choice to move past the expectation that racialized and other marginalized authors should clarify concepts and issues that aren't commonplace in mainstream white society for those outside of a group. An example of one such subject that Harris does not address is 4C hair. Black hair turns out to be an important theme in the novel, and also a plot device through which Harris spins her fascinating horror story.
Hair is an integral part of Black culture and history. In traditional African cultures, the way one wore one's hair could signify a host of things — from family ...
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