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A Novel
by Catherine NewmanFor lovers of Meg Wolitzer, Maria Semple, and Jenny Offill comes this raucous, poignant celebration of life, love, and friendship at its imperfect and radiant best.
Edith and Ashley have been best friends for over forty-two years. They've shared the mundane and the momentous together: trick or treating and binge drinking; Gilligan's Island reruns and REM concerts; hickeys and heartbreak; surprise Scottish wakes; marriages, infertility, and children. As Ash says, "Edi's memory is like the back-up hard drive for mine."
But now the unthinkable has happened. Edi is dying of ovarian cancer and spending her last days at a hospice near Ash, who stumbles into heartbreak surrounded by her daughters, ex(ish) husband, dear friends, a poorly chosen lover (or two), and a rotating cast of beautifully, fleetingly human hospice characters.
As the Fiddler on the Roof soundtrack blasts all day long from the room next door, Edi and Ash reminisce, hold on, and try to let go. Meanwhile, Ash struggles with being an imperfect friend, wife, and parent—with life, in other words, distilled to its heartbreaking, joyful, and comedic essence.
For anyone who's ever lost a friend or had one. Get ready to laugh through your tears.
Prologue
"Edi. Are you sleeping?"
I'm whispering, even though the point is to wake her up. Her eyelids look bruised, and her lips are pale and peeling, but still she's so gorgeous I could bite her face. Her dark hair is growing back in. "Wake up, my little chickadee," I whisper, but she doesn't stir. I look at Jude, her husband, who shrugs, runs an open palm over his handsome, exhausted face.
"Edichka," I say a little louder, Slavically. She opens her eyes, squinches them shut again, then snaps them back open, focuses on my face, and smiles. "Hey, sweetheart," she says. "What's up?"
I smile back. "Oh, nothing," I say. A lie! "Jude and I were just making some plans for you."
"Plans like banh mi from that good banh mi place?" she says. "I'm starving." She rubs her stomach over her johnny. "No. Not starving. Not even hungry, actually. I just want to taste something tasty, I guess." She tries to sit up a little and then remembers the remote, and the top of her bed rises with the mechanical ...
Newman's humor feels natural and avoids an overly saccharine tone. It creates levity and allows space for the characters — Ashley in particular — to exist as three-dimensional and flawed in their well-meaning attempts to be there for Edi. And while the story and themes are well-worn, exploring ideas we've all seen before and hitting the narrative beats most readers will expect, the novel still feels deeply poignant. The blatantly inevitable outcome hangs over the readers as much as it does the characters; as Edi's condition deteriorates, we become reluctant to lose her and Ashley, just as they are to lose each other, which adds emotional weight to the narrative. This novel will hit home with anyone who has gone through the prolonged loss of a loved one...continued
Full Review
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(Reviewed by Callum McLaughlin).
In her novel We All Want Impossible Things, Catherine Newman chronicles the final days of Edi's life from the perspective of her lifelong friend, Ashley. Though terminal illness and death can be tragic at any age, facing these realities at the stage of life Edi is in comes with a particular set of challenges, such as knowing she will miss out on watching her child grow up, and having to accept not being able to live out all the time and life goals she thought she would.
Below is a selection of other novels that feature characters dealing with terminal illness in middle age, their lives cut short in their prime.
Never Change by Elizabeth Berg follows Myra, a 51-year-old home care nurse assigned to look after her former adolescent ...
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From Pulitzer Prize–winning author Elizabeth Strout comes a hopeful, healing novel about new friendships, old loves, and the very human desire to leave a mark on the world.
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Music is the pleasure the human mind experiences from counting without being aware that it is counting
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