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Book Reviewed by:A gorgeously written and irresistibly intimate queer novel that follows one family across four generations to explore legacy and identity in all its forms.
In 1910, Agnes Carter makes the wrong choice in marriage. After years as an independent woman of fortune, influential with the board of a prominent university because of her financial donations, she is now subject to the whims of an abusive, spendthrift husband. But when Bohemian naturalist and glassblower Ignace Novak reignites Agnes's passion for science, Agnes begins to imagine a different life, and she sets her mind to getting it.
Agnes's desperate actions breed secrecy, and the resulting silence echoes into the future. Her son, Edward, wants to be a man of faith but struggles with the complexities of the mortal world while apprenticing at a stained-glass studio.
In 1986, Edward's child, Novak-just Novak-is an acrobatic window washer cleaning Manhattan high-rises, who gets caught up in the plight of Cecily, a small town girl remade as a gender-bending Broadway ingénue.
And in 2015, Cecily's daughter Flip-a burned-out stoner trapped in a bureaucratic job firing cremains into keepsake glass ornaments-resolves to break the cycle of inherited secrets, reaching back through the generations in search of a family legacy that feels true.
For readers of Mary Beth Keane, Min Jin Lee, and Rebecca Makkai, Glassworks is "an era-spanning, family and chosen-family following, marvel of a debut." (CJ Hauser, author of Family of Origin)
Olivia Wolfgang-Smith's novel, Glassworks, is an incandescent debut that follows the lives of four people on the brink of metamorphosis. In addition to a marvelously multi-layered plot, Wolfgang-Smith's characters are drawn superbly, and her prose is as luminous as the glass about which she writes...continued
Full Review
(668 words)
(Reviewed by Kim Kovacs).
Olivia Wolfgang-Smith's novel Glassworks begins with the heroine employing a Czech glass artist to create a collection of realistic flora and fauna for her university in Boston. In interviews, the author has stated that she was inspired by Leopold and Rudolf Blaschka, a father-and-son team who created thousands of remarkably detailed biological models in the late 19th and early 20th centuries.
Leopold Blaschka (1822-1895) was born into a glassworking family that traced its roots in the craft back to 15th century Vienna. Although as a child he dreamed of being a painter, he was apprenticed to a jewelry maker and gem cutter, eventually joining his father in the family glass business. He cut his teeth in the trade creating costume jewelry ...
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