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Stories I Wrote for the Devil
by Ananda LimaStrange, intimate, haunted, and hungry―Craft: Stories I Wrote for the Devil is an intoxicating and surreal fiction debut by award-winning author Ananda Lima.
At a Halloween party in 1999, a writer slept with the devil. She sees him again and again throughout her life and she writes stories for him about things that are both impossible and true.
Lima lures readers into surreal pockets of the United States and Brazil where they'll find bite-size Americans in vending machines and the ghosts of people who are not dead. Once there, she speaks to modern Brazilian-American immigrant experiences–of ambition, fear, longing, and belonging―and reveals the porousness of storytelling and of the places we call home.
With humor, an exquisite imagination, and a voice praised as "singular and wise and fresh" (Cathy Park Hong), Lima joins the literary lineage of Bulgakov and Lispector and the company of writers today like Ted Chiang, Carmen Maria Machado, and Nana Kwame Adjei-Brenyah.
RAPTURE
You probably can't tell by looking at me now, but once, back in my twenties, I slept with the Devil. We met at a Halloween party in a closed-down store space in Manhattan, Union Square, in 1981. I was nursing my third Snake Bite in the corner. Silhouettes danced to "Memorabilia," backlit by a makeshift red-and-blue-neon installation stuck to a crumbling brick wall. The Devil was sitting alone on a beat-up brown corduroy sofa. I was inauguration Nancy Reagan: a tighter version of the red Adolfo dress, black gloves, a wig between chestnut brown and dirty blond, topped with a red pillbox hat. He wore an ill-fitting suit, a faded orange wig, and some bad foundation. I walked up to him and asked what he was, yelling over the music. He said he was the future. I told him his costume sucked. He smiled and said he was often misunderstood, scanning the room as if hoping for a specific somebody else to show up. I began spinning the first thread of his story: a woman in a white dress, a ...
There is humor in how matter-of-fact the narration is when personifying the devil. Lima's characterization is both funny and believable, such as, "[t]he Devil loved the DMV." This is balanced with beautiful, poignant reflections. The writer contemplates how it feels to grow up, and the nostalgia one experiences when looking at old pictures: "How those silly nights feel like some freaky moving Escher picture of a mountain peak appearing to get smaller and smaller in the rearview mirror, but somehow still there in its full size." In moments like these, readers see Ananda Lima is a poet at heart...continued
Full Review (496 words)
(Reviewed by Lisa Ahima).
The Hebrew word "Satan" can be translated as "adversary," or "accuser," so in his nomenclature, he wasn't exactly set up for success. Satan, or the devil, is a figure who has origins in Abrahamic religions, well-known in Judaism, Christianity, and Islam. Conceptually, he has been depicted as a fallen angel, ghoulishly evil, as both an agent of and literary foil for God. Satan is so pervasive in religion and culture that it would be impossible to summarize how this character/being has altered history over time. However, it is interesting to view Satan through a postmodernist, contemporary lens. Ananda Lima's short story collection, Craft, presents the devil as a vehicle to teach a lesson, as a lover, and as a sympathizer. Here are some other...
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