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A Novel
by Sarah MangusoA searing novel about being a wife, a mother, and an artist, and how marriage makes liars of us all—from the author of Very Cold People and 300 Arguments.
A nuclear family can destroy a woman artist. I'd always known that. But I'd never suspected how easily I'd fall into one anyway.
When Jane, an aspiring writer, meets filmmaker John Bridges, they both want the same things: to be in love, to live a successful, creative life, and to be happy. When they marry, Jane believes she has found everything she was looking for, including—a few years later—all the attendant joys and labors of motherhood. But it's not long until Jane finds herself subsumed by John's ambitions, whims, and ego; in short, she becomes a wife.
As Jane's career flourishes, their marriage starts to falter. Throughout the upheavals of family life, Jane tries to hold it all together. That is, until John leaves her.
Liars is a tour de force of wit and rage, telling the blistering story of a marriage as it burns to the ground, and of a woman rising inexorably from its ashes.
Jane is a writer and John is an artist, and their union, she believes, is one of equals, of two likeminded artists, unlike, say, the marriages of women who "changed their names and used the word hubby." And yet immediately after marriage her life is consumed by the practical and emotional labor of wifehood: she handles John's taxes, his travel logistics, shipments of his art, all the housework—because it needs to get done, because her financial life is now intertwined with his, because John reveals a stunning lack of competence for everyday adult tasks. I'm impressed by Manguso's ability to evoke unease and surprise in a story that is so obvious and exaggerated and over-exposed. Jane's is a familiar narrative—one that has been told ten billion times, as she says on page one—but in Manguso's hands it is newly trenchant and chilling...continued
Full Review
(1250 words)
(Reviewed by Chloe Pfeiffer).
Sarah Manguso is a poet, essayist, and novelist who is known for, among other things, her short compositional units: all of her non-poetry books are made up of short sections—sometimes just a line; sometimes a longish paragraph—separated by the white space of a line break. Her first few books take the form of a series of nonfiction vignettes, almost prose poems—a review of one of her books described her work as squatting "on a perch between prose and poetry." Her 2017 book 300 Arguments is a collection of short, aphoristic essays—most of them no more than a few sentences. Even her new novel Liars, which, in a departure for her, proceeds straightforwardly in time instead of piecing different moments together, has no ...
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