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The nerve-shattering new thriller from the bestselling author of Mortal Fear and The Quiet Game.
Greg Iles's novels have been praised for their unusual depth of characterization and complexity of plot, and The Quiet Game was no exception. Reviewers called it "beautifully crafted" (The Providence Sunday Journal), "heartbreakingly honest" (Cleveland Plain Dealer), and simply "a grand thriller with a wonderful Southern seasoning" (The Orange County Register). In 24 Hours, Iles takes readers on a daringly executed roller-coaster ride with enough twists and surprises to last a lifetime.
24 Hours begins with the perfect family. On the perfect night. About to become trapped in the perfect crime. Will Jennings is a successful young doctor in Jackson, Mississippi, with a thriving practice, a beautiful wife, and a five-year-old daughter he loves beyond measure. But Will and his family are being watched by a con man and psychopath who may be a genius. A man who has crafted the unbeatable crime. A man who has never been caught and whose victims have never talked to the police. A man whose life's work strikes at the heart of every family's unspoken fear: the unstoppable kidnapping.
But this man has never met the likes of Will and Karen Jennings.
"Here is a major talent strutting his considerable stuff." --The Denver Post (review of The Quiet Game)
"The kid always makes it. I told you that."
Margaret McDill had not seen the man in her life until yesterday, but he had dominated every second of her existence since their meeting. He had told her to call him Joe, and he claimed it was his real name, but she assumed it was an alias. He was a dark-haired, pale-skinned man of about fifty, with deep-set eyes and a coarse five-o'clock shadow. Margaret could not look into his eyes for long. They were dark, furious pools that sucked the life out of her, drained her will. And now they carried knowledge about her that she could not bear.
"I don't believe you," she said quietly.
Something rippled deep in the dark eyes, like the flick of a fish tail. "Have I lied to you about anything else?"
"No. But you...you let me see your face all night. You won't let me go after that."
"I told you, the kid always makes it."
"You're going to kill me and let my son go."
"You think I'm going to shoot you in ...
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Sometimes I think we're alone. Sometimes I think we're not. In either case, the thought is staggering.
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