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A stunning account of the changes in white attitudes toward blacks during the second half of the 20th century and a sensitive look at what betrayal--of friendship and of love--does to us all. Ultimately, this is a moving book about healing.
Los Angeles, l945: When Hosanna Clark, newly arrived from the farm fields of Texas, befriends Holocaust survivor Gilda Rosenstein, she opens the door to a new life for them both. Using Gilda's knowledge of cosmetics and Hosanna's energy and determination, they begin producing a line of lipsticks and lotions for black women. The two are more than partners: They are dear friends.
Then Gilda suddenly disappears, taking all the assets. Hosanna is doubly betrayed: financially ruined and emotionally bereft. When, years later, she passes away, her small cosmetics company dies with her. But Hosanna leaves behind a daughter steeped in her mother's pain: Matriece is as smart and driven as her mother and savvy enough to recognize that white firms are competing not only for black consumer dollars but for black professional talent as well. When Gilda's huge cosmetics conglomerate hires her to launch a line of black beauty products, Matriece takes on a mission to collect her mother's debt.
What You Owe Me is a stunning account of the changes we have seen in white attitudes toward blacks, but it is also a sensitive look at what betrayal--of friendship, of love--does to us all. Ultimately, it is a moving book about healing. As Emerge magazine acknowledged, "Campbell's writings are a beacon of light, helping assuage the anger by tending our deepest wounds."
Chapter One
I was looking at myself in a tarnished mirror taped to a crooked wall. I leaned my head left of the crack that split the glass and squinted my eyes to get a better view. Made me dizzy. My shift was about to start, and I was rushing to put on lipstick. The light in the room was so dim I could barely make out my mouth. The shade was too pale, but I made do and blotted on a piece of toilet paper. The door opened just as I was imagining my face with thinner lips. I turned around, and that’s when I saw her, not big as a banty hen. Mr. Weinstock was right behind. "Hosanna," he said to me, "this is Gilda Rosenstein, and she’ll be working with you. I want you to train her."
There were five of us women cleaning at the Braddock Hotel, all colored. It was right after Labor Day, and we’d finished having our get-started cup of coffee (as compared to our keep-going cup in the afternoon and our hold-on cup toward the end of our day) in a small dark room in the ...
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