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Summary and Reviews of I Just Keep Talking by Nell Painter

I Just Keep Talking by Nell Irvin Painter

I Just Keep Talking

A Life in Essays

by Nell Irvin Painter
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  • Apr 23, 2024, 464 pages
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About This Book

Book Summary

From the New York Times bestselling author of The History of White People and Old in Art School, a finalist for the NBCC Award, comes a comprehensive new collection of essays spanning art, politics, and the legacy of racism that shapes American history as we know it.

Throughout her prolific writing career, Nell Painter has published works on such luminaries as Sojourner Truth, Ralph Waldo Emerson, and Malcolm X. Her unique vantage on American history pushes the boundaries of personal narrative and academic authorship. Led by an unbridled curiosity for her subjects, Painter asks readers to reconsider ideas of race, politics, and identity. I Just Keep Talking assembles her writing for the first time into a single volume, displaying the breadth and depth of Painter's decades-long historical inquiry and the evolution of Black political thought—and includes a dazzling introduction and coda being published for the first time in this collection. From her mining of figures like Carrie Buck and Martin Delaney for their resonance today, to a deep dive into the history of exclusion through the work of Toni Morrison, to a discussion of the American political landscape after the 2016 election, Painter nimbly portrays the trials of a country frequently at war with itself.

Along with Painter's writing, this collection offers her original artwork, threaded throughout the book as counterpoint and emphasis. Her visual art shows a deft mind turning toward the tragedy and humor of her subjects; pulling from newspapers, personal records, and original sketches, Painter's artwork testifies to the dialectic of tremendous change and stasis that continues to shape American history.

These essays resist easy answers in favor of complexity, the inescapable sense of our country's potential thwarted by its failures. This collection will surely solidify Painter's place among the finest critics and writers of the last half century.

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Reviews

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From her unique lens as an artist and Princeton history professor emerita, Painter delivers intellectual think pieces that go beyond the easily digestible kind that become the subject of social media catfights. They reflect decades of scholarship. While the stunning introductory essay "Ego Histoire" is mostly autobiographical, a section of it retells a little-known Reconstruction-era murder. Interrogation of slavery is the subtext of Painter's "'Introduction' in Incidents in the Life of a Slave Girl, Written by Herself," about the memoir by Harriet Jacobs. "Elitism and Black Nationalism" tells the story of historical black nationalist-dreamer Martin R. Delany. After she retired from Princeton, Painter studied at the Rhode Island School of Design. Her book is filled with original artwork, like Beloveds He Saw Her Pink (2013), an ink graphite collage on paper inspired by Toni Morrison's spectacular novel Beloved...continued

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(Reviewed by Valerie Morales).

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Beyond the Book



Sojourner Truth Was Invisible — Or Was She?

Albumen silver print portrait of Sojourner Truth in the 1850s, showing her seated with paper in hand It was May of 1851 when 54-year-old Sojourner Truth took the stage. Truth, who would become one of the most famous women of any race of the nineteenth century, spoke her personal testimony to the mostly white audience at the Women's Rights Convention in Akron, Ohio. She was the only speaker who had been enslaved and the room was captivated by her height, forthrightness, and passion.

In the audience that day was Marius Robinson, a secretary for the convention who was speedily taking notes. His account of Truth's speech was published in the abolitionist newspaper The Anti-Slavery Bugle three weeks later. One of the more powerful moments of the speech as recorded by Robinson was when she said, "I can't read, but I can hear. I have ...

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Read-Alikes

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